The forced removal of Indigenous people from our own land (although we don’t have the sense of ownership of Turtle Island that the dominant culture does…) at #StandingRock is part of a time-worn historical continuum of violence that this country operates on. A trail of broken treaties ghosted yesterday’s actions in North Dakota, the water protectors camps engulfed in flames as per this Time footage
( Kandia Crazy Horse @ Emergency Rally for Standing Rock @ Union Square (yesterday) in NYC, by Zapotec photographer & artist Javier Soriano from Puebla, Mexico )
Last night on Wednesday, February 22, I joined a group of water protectors gathered in Union Square to stand in solidarity with the water protectors at Standing Rock, as we had been alerted via digital smoke signals to the 2pm deadline for forcible eviction. Yesterday, the remaining core of water protectors were evicted from the camps — including Oceti Sakowin — near the Standing Rock Sioux Reservation in North Dakota. It was also an occasion to enjoy some of the unprecedented pan-indigenous unity we’ve been experiencing, including Zapotec brothers from Puebla in Mexico to queer Pinoy activists holding forth about the conflict in Mindanao in the Philippines. I & a Lakota brother from Red Warrior Camp are both affiliated with Split Rock prayer camp in NJ & spoke to that at the rally to encourage our local tri-state sisters & brothers to engage with the fight against our own black snakes afflicting the Hudson River and surrounding areas — the resistance is not over yet, upon any part of Turtle Island. As one of the youngest speakers at the rally, Abby, mentioned, many of us come from so-called minority populations & indigenous communities disproportionately affected by environmental racism, and we cannot let it stand – A’ho*
A reminder: “The Oceti Sakowin Camp: a first of its kind historic gathering of Indigenous Nations. The most recent such assembly of Tribes occurred when the Great Sioux Nation gathered before the Battle at the Little Big Horn.
The Standing Rock Sioux Tribe supports the peaceful and prayerful message of the Oceti Sakowin leaders. The on-reservation camp allowed the tribe to explore longer term ways to meet the needs of the community that is 100% off-the-grid and features Solar & Wind power generation.”
See some of the photographs that Brotha Javier took of the rally here:
There may be a new administration in Washington & they are obviously in cahoots with the corporations behind the #KeystoneXL & the #DakotaAccessPipeline — but we of Indian Country & our allies are still determined to stop all black snakes from afflicting Turtle Island. I have received communication from LaDonna Brave Bull Allard of Sacred Stone Camp & others to come stand with our precious water protectors @ Standing Rock — or to organize actions locally to support them. I am pondering the latter with my fellow Afro-Native bandmate of Cactus Rose & some of my Tri-State Native Circle. We all must do our part, when they are raiding camps & dishonoring rights. We cannot let this stand. And I shall still be acting in support of the Ramapough Lunaape @ Split Rock with their efforts to #StopSpectra here in NY/NJ/CT. See you on the frontlines! A’ho*
“Manhattan Given Back To Indians…” & Benny Andrews’ Bicentennial Blues & Frohawk Two Feathers’ Frenglish New York
Given that I was out all day yesterday — primarily attending an uptown art salon in Lower Harlem, where I sang — I completely missed this odd bit of NYC local news: MANHATTAN GIVEN BACK TO INDIANS (well at least a part of it)
Although I have some close ties with the Ramapough Lunaape and am acquainted with Chief Dwaine Perry, I have not to my knowledge crossed paths with the New York Post article’s cited chief Anthony Jay Van Dunk nor have I met the cited son of artist Louise Bourgeois — I have been a fleeting fan of hers due to her longevity/continuing to create but expertise on her life & oeuvre lies with my twin sister, the art historian — Jean-Louis Goldwater Bourgeois. I don’t know quite what to make of this transaction, but if the ultimate result is a patahmaniikan (prayer house) then fine. I did not get to participate in the Ramapough winter ceremony this past Saturday out @ Split Rock, for it was cancelled due to snow/inclement weather; so I have not heard any direct commentary from the Source, as it were.
The article says Bourgeois fils has been a Standing Rock benefactor, yet I was more interested to learn of other Natives’ participation in the Occupy Movement for in all the months I was involved in it, particularly Occupy Music, I never met any. Now, if only this M. Bourgeois would get behind the fight to establish Indigenous Peoples Day in NYC. Overall, it was just a little odd piece of news to be sent to me by other Urban Native friends, at the end of the year when Standing Rock has become such a Hollywood trendy Cause (Elvis’ grand baby appearing at hyped LA benefits) & indigenous chic itself has been atomizing err’where — especially on the backs of musical artists with no Native roots including hip-hop ones & judges of The Voice like Alicia Keys — but I am still encountering folks who never heard of what’s going on with the Dakota Access Pipeline (or any other of this land’s black snakes). It’s weird to be revisiting the apocryphal sale of Manhattan by the Lenape to the Dutch, even as our Tri-State news is dominated by news of president-elect Trump’s vast real estate holdings here, the need to barricade Trump Tower in Midtown, and the ongoing discussion of the City as Trump’s fiefdom. I hope the Ramapough do not get targeted by limousine liberals, due to their local residence. Meantime, instead of hashtagging activism, focus & funds need to be directed to the many Native protectors of Standing Rock who are now facing felonies / about to have their cases trafficked through the courts in North Dakota — and there’s inadequate legal representation for most. Some of us staying woke despite the narcotic of holiday cheer.
(Chief Van Dunk, Ramapough, & art patron/architectural historian Bourgeois via New York Post)
Anyroad, I believe this story jumped out at me due to a long conversation about Native American roots out of the Mid-Atlantic and “outsider art” creation we had on Friday afternoon in Chelsea, on the verge of a gallery crawl through the ‘hood to see Titus Kaphar’s opening @ Jack Shainman & the great Bicentennial Series show of one of my favorite painters/fellow Georgian Benny Andrews @ Michael Rosenfeld Gallery. Some strange confluence out of the dialogue and Early Colonial (Kaphar) plus Bicentennial/Jim Crow reflection (Andrews) stirred things up…& made me recall the peculiar but beautiful work of Frohawk Two Feathers who was de vogue a few years back, with prominent Chelsea gallery representation & who I have never met but this particular project is extremely similar to my inner imaginorium/worldview – although he is younger than I, born (interestingly) in the year of the American Bicentennial, 1976: Heartbreaking and shit, but that’s the globe. The Battle of Manhattan
(By Frohawk Two Feathers)
Chicago-born, LA-based Frohawk Two Feathers is the alias of Afro-Native artist Umar Rashid (who also does vanguard and alt-hip-hop music under the monikers Kent Cyclone & Tha Grimm Teachaz); and the 2014 culmination of a series of his work blending Afrofuturism and fact / fiction of early settler colonialism in the Americas caught my notice for decades prior to my arrival in New York City — in part due to my Native American great aunt Helena’s residence in Harlem since the 1930s — I had been an (alternative) history buff preoccupied with the lore of the Ramapough, Jacks-and-Whites / other isolates of the area; the apocryphal sale of Manahata and the Algonquin villages of the landmass; and the religious/occult traditions arising from the upstate Burned-Over District. [Which also drew my interest to the now-defunct Sundance network show The Red Road, which focused on Ramapough, starring half-Hawaiian actor Jason Momoa who claims Native American & for which my cousin’s wife Marcey Tree-In-The-Wind served as a consultant.] Two Feathers’ work seemed to at least gloss similar concerns:
“Bonnie Prince Johnnie, flamboyant pharaoh of New York; Francesca, a.k.a. Tisiphone, Native American assassin; Maurits de Wolff, former slave and soldier extraordinaire; Akosua Van Der Zee, wrathful feminist and malicious schemer.
These are a few of the characters in a wildly original telling of the fictional Battle of Yonkers in 18th-century New York; their portraits and those of other tattooed warriors, misled rulers and vengeful women…
…[final] installment of “The American Proteus: An Invocation and the Wars Between the Rivers,” an alternative account of the colonization of northeastern North America that is both written and visual in form, epic in scope, and built around the imaginary Republic of Frengland (a combination of England, France and Ireland).”
There were paintings that were meta portraits or sometimes reminiscent of historical battles depicted on deerskins or echoing ledger art, mixed with art forms of ancient KMT & tipis on display as well. They were somewhat unnerving, for it was like an unknown Spirit had excavated my interior landscape & reproduced it for all eyes to see. And I will leave it at that for now, for there’s far more concerning this work that I wish to explore…A’ho*
(By Frohawk Two Feathers)
Although Standing Rock has most captured the souls & minds of Indian Country during 2016, there are many black snakes afflicting Turtle Island — & I have been standing in solidarity with the Ramapough Lunaape water protectors of the Split Rock prayer camp in New Jersey that are trying to stop the Algonquin Pipeline project threatening the Hudson River & the surrounding lands of the Tri-State & New England. I & my band Cactus Rose have pledged to Ramapough Chief Dwaine Perry to be of support to Split Rock, as they hold the space & unite with other allied environmental and social justice groups of the region to stop this black snake. The news that Red Warrior Camp is leaving Standing Rock & withdrawing from the #NoDAPL fight there, even as they turn their energy & focus to other frontlines of Indian Country, has underscored the need for all of us pan-indigenous united folks to tend to the issues in our own backyards/home locales. Here’s some images from my visit to Split Rock this past weekend; all photos by me, except the 2 where I am pictured – by Hugo Kenzo
I will be addressing this activism tonight at my conversation/concert on protest music & activism @ Decolonize This Place in TriBeCa. Looking forward! A’ho*
( Kandia Crazy Horse & Jonathan Demme @ Split Rock Sweet Water Prayer Camp in the land of the Ramapough Lunaape, NJ – by Japanese-Brazilian filmmaker Hugo Kenzo )
( The donations for the Ramapough Lunaape of the camp from me/my band Cactus Rose, @ my flat before the trip )
( #DefendTheSacred in the tents @ Split Rock prayer camp )
( Kandia Crazy Horse, water protector & Indian Country activist, @ Split Rock Sweet Water Prayer Camp in NJ – by Hugo Kenzo )
( Ramapough Lunaape president/chief Dwaine Perry & Kandia Crazy Horse, Native Americana singer-songwriter/activist, of Cactus Rose band @ Central Park, after the Ramapough Lunaape clan mothers’ march in Manhattan )
We of the Eastern Nations in NYC / the Tri-State area are standing in solidarity with Standing Rock today for the National Day of Action. Check your local groups for opportunities to participate. I did prayerful advance marching with the Ramapough Lunaape Nation clan mothers & their Chief Dwaine Perry who came into Manahata from New Jersey on Sunday. We proceeded from Columbus Circle up through Central Park where we held the circle & performed water ceremonies prior to the Supermoon rise. I have been invited to sing in support & be of service at the Ramapough Lunaape water protector camp @ Split Rock in future & look forward to it. Many of us indigenous activists of the NY / NJ / CT area are committed to stopping Spectra, the Algonquin Pipeline, & halting any other pipeline projects that arise in the Northeast. As Sister Davidica Little Spotted Horse of the Oglala Lakota told us last week, the goal is for folks to attend to the black snakes in their own backyard rather than everyone converging on Standing Rock – still we have much to learn from the Oceti Sakowin & remain strong in solidarity with them as they defend The Mother – A’ho* #IStandWithStandingRock & #SplitRock #StandingRockNationalDayOfAction #NativeAmericanHeritageMonth #mniwiconi #NoDAPL #NoAIM #LoveWaterNotOil