Posts tagged “News

Kandia Crazy Horse on The Red Road East (the sequel) #NoDAPL #NoAIM

Last night, I received Supermoon Medicine & then journeyed to the television station of Bronxnet to serve as a guest artist-activist on Fierce-Truthseeker’s (Tsalagi) show The Red Road East, which covers art, entertainment & political issues of Indian Country. As you may recall, I was the guest on the first-ever episode of the program & was happy to be asked back again — specifically for Native American Heritage Month — to speak on the Standing Rock & Split Rock resistance movement in the NYC / Northeast area, what actions we have done & plan for the future & promote the upcoming Standing Rock benefits I will be doing here: on 25 November @ Jalopy Theater in Brooklyn & the weekend of 16 December on Manhattan’s Upper East Side @ Ibex Puppetry. Additionally, I will be doing an artists & activism program on the current state of protest music, back at Decolonize This Place in TriBeCa on 12 December, with my Native Americana / Cosmic Country band Cactus Rose & special guest Abiodun Oyewole of The Last Poets. Stay tuned / follow me on Instagram for posters, ticket links & updates on these events.

When The Red Road East airs, will share the footage here for y’all outside the local NYC network. The Standing Rock benefits of Neil Young, Jackson Browne & Dave Matthews have gotten a lot more notice than the efforts of our grassroots collective of activists & generally, it’s difficult to get the media to pay attention to the creation of independent musicians without multi-million dollar teams behind them. Yet we are trying hard with very few resources to contribute to the cause with an all-female artists lineup Standing Rock benefit – the one slated for mid-December — to remind people that, despite the election outcome, #TheFutureIsFemale …So we thank you heartily for your support & for coming through to the concerts. I am a mite weary, but enjoying #NativeAmericanHeritageMonth to the fullest! A’ho*

img_1952 ( Kandia Crazy Horse @ Bronxnet studios, before the live taping on “The Red Road East” )

img_3640 ( Kandia Crazy Horse of Cactus Rose & Abiodun Oyewole of the Last Poets @ Bronxnet, after the taping of “The Red Road East” #NativeAmericanHeritageMonth x #BlackPower50 #indigenousfutures #IStandWithStandingRock )

img_3625 (The set / studio of “The Red Road East” hosted by Fierce-Truthseeker #Tsalagi #Cherokee)

“Those who damage Mother Earth, damage us all / Forgive them / They don’t yet see”

– Neil Young

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Standing Rock National Day of Action #NoDAPL #NoAIM NYC

img_3571 ( Ramapough Lunaape president/chief Dwaine Perry & Kandia Crazy Horse, Native Americana singer-songwriter/activist, of Cactus Rose band @ Central Park, after the Ramapough Lunaape clan mothers’ march in Manhattan )

We of the Eastern Nations in NYC / the Tri-State area are standing in solidarity with Standing Rock today for the National Day of Action. Check your local groups for opportunities to participate. I did prayerful advance marching with the Ramapough Lunaape Nation clan mothers & their Chief Dwaine Perry who came into Manahata from New Jersey on Sunday. We proceeded from Columbus Circle up through Central Park where we held the circle & performed water ceremonies prior to the Supermoon rise. I have been invited to sing in support & be of service at the Ramapough Lunaape water protector camp @ Split Rock in future & look forward to it. Many of us indigenous activists of the NY / NJ / CT area are committed to stopping Spectra, the Algonquin Pipeline, & halting any other pipeline projects that arise in the Northeast. As Sister Davidica Little Spotted Horse of the Oglala Lakota told us last week, the goal is for folks to attend to the black snakes in their own backyard rather than everyone converging on Standing Rock – still we have much to learn from the Oceti Sakowin & remain strong in solidarity with them as they defend The Mother – A’ho* #IStandWithStandingRock & #SplitRock #StandingRockNationalDayOfAction #NativeAmericanHeritageMonth #mniwiconi #NoDAPL #NoAIM #LoveWaterNotOil


Roll Away The Stone: Leon Russell gone to Glory

The news that Tulsa Mafia, rock, boogie, country & western, Funk, acid gospeldelic, Americana & New Orleans shuffle-master icon Leon Russell has walked on is far too immense for an artist & American of my freaky-deak, Dixie-fried orbit to comment about on the fly. So, look forward to my scribing & dialogues about how the loss of Leon is affecting me later this week. For now, I am just back from the prayerful march for #StandingRock in Manhattan with the Ramapough Lenape clan mothers & reflecting deeply on what has been a chaotic, sorrowful week in the music world & across Turtle Island. Of course, with a lil’ “A Song For You” on rotation – A’ho*

I’ve been so many places in my life and time
I’ve sung a lot of songs, I’ve made some bad rhymes
I’ve acted out my life in stages, with ten thousand people watching
But we’re alone now I’m singing this song for you

 


America: We Got To Work for Peace

“We got to work for Peace / Peace ain’t gonna be free / Gotta go to war…” so often sang my late hero & artist-activist influence Gil Scott-Heron (but he was not a warhawk, he was singing of peace-waging), when I used to see him annually in NYC at venues such as S.O.B.’s downtown. And, while I listened to his tunes “B-Movie” (about Ray-Gun America in the 1980s), “Winter In America” (a reminder for #NativeAmericanHeritageMonth & due to escalated actions around the Dakota Access Pipeline resistance & halting other black snakes of Turtle Island) & “Gun” (for obvious reasons in trigger-happy America & upon Veterans Day), this week & then just spoke with my Pamunkey great aunt Ethel from Virginia, who is an activist/southern belle/church lady in the truest sense & at 91 would have been embedded all year @ Standing Rock were it not for ailments, I was reminded indelibly that we cannot despair at this hour of chaos after the presidential election. We must be strong, we must be prayerful if we follow Native tradition & other faiths, and we must seek to be united as possible in order to work for Peace in the coming days of a New Nation that does not honor nor respect the rights of all of its citizens.

img_3456 ( Caitlin Rose & Kandia Crazy Horse @ Mercury Lounge NYC (w/ photobomb by Roddy of Daniel Romano’s band – Follow @cactusroselovesyou on Instagram )

2016: A year of sonic loss, domestic terrorism against #NoDAPL water protectors & days of rage in newly-minted Trump America…I will not retire from my activism & I am feeling a renewed dedication to songwriting, illuminating the folkways of the postmodern New South, and collaborating with other (Native) artists that also follow the Way of the New World to work towards indigenous futures. So, instead of wallowing — although I was/am mighty weary — I went out into the fractious City, finding fellowship & even some laughs with other indigenous activists from near and far as well as musicians from Argentina (Nico), Canada (Daniel Romano & band), & my sistah-in-twang Caitlin Rose (Nashville via Texas). While we raised a toast of Tecate backstage @ Mercury Lounge in the East Village/Lower East Side to Canadian singer-songwriter icon #LeonardCohen & #MightyBaby’s Martin Stone who just passed & then I rotated sounds of my treasured record collection overnight in their memory + for Veterans Day (my step-great-grandfather Mr. Bridges of SW Georgia fought bravely in World War I & always remember him upon this day) — Elyse Weinberg, Stevie Nicks (who I mightily wish I could catch on her current tour!) & Fleetwood Mac, Jon Lucien, Rufus Wainwright — it was deeply impressed upon me that we must be thankful that #WeAreStillHere able to sing, play, laugh, dance & write songs, despite possible dark days ahead on Turtle Island and all of the many sad losses that have befallen the music world in 2016. As discussed with #CaitlinRose, I look forward to playing in Nashville, doing some festivals & sharing new songs in 2017, with my trusty band Cactus Rose holding me down. Some don’t like (colored) women who are brave & fly the freak flag high; there are concurrent wars against us of the #NoDAPL resistance and the collective body of black women in this society; and there are some entities that have tried/want to silence my Voice – but still I shine on. And I am going to stay #BlackHillbilly ’til I die. Here’s to #TGIF — as my great aunt would say — and looking forward to enjoying the remainder of #NativeAmericanHeritageMonth

A’ho #countrygirlsdoitbetter

img_3397 ( Nico Bereciartua of Magpie Salute (from Argentina) & Kandia Crazy Horse of Cactus Rose band (in hat Karen Dalton) @ Henry Diltz’ Morrison Hotel Gallery in SoHo for “Midnight Rider” photography exhibit on Gregg Allman of the Allman Brothers Band by Patricia O’Driscoll, NYC )

>>>>>>—–))—>

( Why I want to see Stevie Nicks (who I have never seen) live…She composed this song “Silver Springs” while on the Road in my homeplace of the #DMV. I used to spend special times with my late mother in Silver Spring in the brief period before she walked on & grew up going there often in my “Maryland is for crabs…Virginia is for lovers” shirt in the 1970s. Precious memories…& songwriting inspiration! )

( How I came to truly know/love Leonard Cohen’s “Hallelujah” – via my beloved & the best male Songbird of my generation #JeffBuckley (RIP) #ScorpioRising #ScorpioSeason – In Memoriam for all the Singers & Players & Freedom Fighters )

( & Leonard Cohen & Jeff Buckley’s acolyte who’s one of my most beloved contemporary artists: #RufusWainwright – This 11/11 tune comes from his double-LP masterpiece Want One / Want Two that was life-changing for me in the early Aughts. I still treasure getting to meet Rufus once backstage at a taping of the Jimmy Fallon Show in Manhattan, courtesy of my brotha Kirk Douglas of The Roots )


Kandia Crazy Horse x Kimberly Robison #KAR on the march of Manahata for Standing Rock #mniwiconi #NoDAPL

Some of the great photography that’s come in from Afro-Native artist & milliner from Texas, Kimberly Robison / KAR. I look forward to performing with her here in NYC next month, as well as being involved with various actions on behalf of Indian Country. When I did the same march up Wickquasgeck back in early August with Brooke & Luis of Eagle & Condor Community Center, there were only 10 of us. So it was heartfelt & illuminating that so many have come to stand in solidarity with Standing Rock in the time since – A’ho*

#mniwiconi #IStandWithStandingRock #NativeAmericanHeritageMonth

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_dsc6334 (With my fellow NYC artist Cheadah, upon our arrival @ 107th Street)

_dsc6300 (In the sage smoke…)

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(Kandia by Kimberly / KAR in my “Karen Dalton” hat)


Make America Native Again & #ImWithHer – Presidential Election 2016

I am an independent, stubborn southern belle & outlaw queen — Always been, always will be. Still, I believe #TheFutureIsFemale & I am also, of course, here for #IndigenousFutures – so I voted today in remembrance of my heroines: my Pamunkey mother Anne Marie from the Shenandoah Valley & Miz Fannie Lou Hamer, The Black Panther of Lowndes County. Sho’nuff, neither party gave us much of a decent choice & Kaine has only paid lip service to #NoDAPL on the eve of the election, smacking of desperation. Yet I have got to take the long view for the Turtle Island Liberation Movement I am a part of & with deep south kin still alive who were persecuted and firebombed by the Ku Klux Klan for daring to vote & mobilize their African-descent community to do so, I will never take my right to vote for granted. And a #NastyGal does step into the breach & flex her power, too – Love, that’s America! A’ho*

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#KandiaCrazyHorse #NativeAmericana #singersongwriter #CosmicAmericanMusic #NativeAmerican #artist #activist #indigenousrevolutionary #AfroHippie #IStandWithStandingRock #NativeAmericanHeritageMonth #LoveWillWin #Merica

Sidenote: as a Black Bullette/Taurus Woman & Wonderlove(r), this was great to read today: http://www.huffingtonpost.com/entry/stevie-wonder-driving-equals-trump-presidency_us_5820c1a0e4b0aac62485fa21 KANDIA CRAZY HORSE loves STEVIE WONDER (a key influence)

img_1653 ( Kandia Crazy Horse #IdleNoMore in the voter queue today in Hamilton Heights / Harlem-on-the-Range, Uptown NYC – @cactusroselovesyou Instagram )

img_1656

( Coming out of my polling place, a school named for Adam Clayton Powell Jr. – IG: @cactusroselovesyou )

img_1652 ( Some local Latina sisters were gifting us #StarsAndStripes Hershey kisses while we waited to vote #VoteNYC – IG: @cactusroselovesyou )


Marching Manahata in solidarity with Standing Rock

It’s a great day to be indigenous, Sisters & Brothers! Leaving out anon to march Manahata along the Lenape trail Wickquasgeck, with my friends & fellow activists of the Eagle & Condor Community Center — we all stand with Standing Rock. This is my fight song…well, theme music for the Trail, anyroad; was singing this, “Broken Arrow” by my favorite band Buffalo Springfield, last Friday night acapella with filmmaker Jonathan Demme who’s a fellow Neil Young stan, after our #ProjectAmericana performance @ Symphony Space.

Thinking of the Missouri River (with “O Shenandoah” also echoing in my Soul) via these lyrics:

Did you see them in the river?
They were there to wave to you
Could you tell that the empty quivered
Brown skinned Indian on the banks
That were crowded and narrow
Held a broken arrow?

Today, I shall be singing freedom songs all the way from Columbus Circle to Shorakapok. We will be holding a water ceremony, after a stop at the Indian Caves of Inwood Hill. Stay tuned for my report. Rocking my mocs on out the door…! >>>>>>>—–))—>

Hope y’all are enjoying #NativeAmericanHeritageMonth & have a grand ole weekend – A’ho*

#KandiaCrazyHorse #NativeAmericana #artist #activist #CactusRose #band #IStandWithStandingRock #MniWiconi #ProtectTheSacred #NoDAPL #BlackSnakeKillas #HonorTheTreaties #StopSpectra NO #AlgonquinPipeline #rockyourmocs #VOTE!

 


Throwback Thursday: Of race, Country music & the 2016 CMAs

Well, since my sentiments about the state of Nashville’s country music establishment on and beyond Music Row tend to be unwelcome even amongst my former circle of rock critic colleagues, I wasn’t going to weigh in on this year’s CMA Awards, the 50th edition, which I did happen to watch. However, in my absence offline, an apparent controversy has been brewing on the subject of race and country music, due to the much ballyhooed performance of “Daddy Lessons” by Texan artists Beyonce (pop, urban) & the Dixie Chicks (once modern country royalty). Although I don’t wish to gas up TMZ, the site is one of the prominent places that has cited the CMA site & social media having scrubbed their entire online platform of images/references to said Beyonce-Dixie Chicks summit in response to copious racist reactions to the awards show appearance on Twitter & elsewhere: VIEW HERE

Now, I am no Beyonce fan nor “stan;” and I have no fear of the BeyHive in stating this — my backpages as a longtime music critic & editor for over 20 years clearly delineates where I stand on her & chronicles many of my thoughts on the history and contemporary scene of black artists who create in the overlapping country & western, bluegrass, hillbilly, Cajun, prewar stringband, mountain music, Americana, and roots genres. I also happen to have served on a panel @ CUNY Graduate Center in NYC earlier this year, holding forth on Black Banjo, my role in the country & western genre as an artist and touring fan, the Affrilachia movement, and the recent publication of scholar/banjoist Laurent Dubois’ book THE BANJO – America’s African Instrument. Talked about the fictional Darlings of The Andy Griffith Show a.k.a. The Dillards, and how Doug Dillard became my favorite banjo player and influence via Dillard & Clark. And I am a veteran of my friend Greg Mays’ annual Harlem Hoedown, where I always square dance as I learned as a babychile in rural Virginia to the sounds of my dear friends the Ebony Hillbillies. I was a “primordial” adopter, supporter, and then critic of the Americana scene in general, way back into the 1980s, and have watched successive waves of cowpunk, neo-southern rock, alt-country, y’allternative, insurgent country, progressive country, Ameripolitan, indie folk, etc etc come to consciousness and come to market; and always pondered about the African presence in all of these scenes and on the record business side up to this day where  Americana is now on the Billboard chart — the year’s big news in music. The pop/urban mix with country as a featured event of the CMA Awards has obvious precedent; many of my former colleagues are still talking about Justin Timberlake (who’s in the process of going Country & recording a country album) performing with Chris Stapleton last year. Yet this year’s turn, especially at the 50 marker, is notable less due to Beyonce but rather down to the fact that at a time when Bro-Country is waning, Taylor Swift has defected for pop, and nigh every classic arena rocker has cut a country record/moved to Nashville to revive flagging careers, country (&western) still has a glaring race problem and its related business wing cannot develop or sustain virtually any artists of color not named Darius Rucker. Opening the show with a too-brief turn by black country icon Charley Pride underscored this issue; the fact that the CMAs chose to have Stapleton and Dwight Yoakam — great & skilled though they are — pay homage to Georgia R&B hero & country maverick Ray Charles, to illustrate the S-O-U-L of country music instead of even summoning their own recent hitmaker Mickey Guyton or Americana star Rhiannon Giddens who was present at the awards (backing up Eric Church) showed exactly where they stand. The citing of SOUL, as it always has been, is code for the blackness in twang; the modern country (&western) scene and business has never quite progressed beyond the early 20th century moment of Race Records and segregating sounds by racial and regional provenance. And all hell broke loose on social media yesterday and today, as country music fans of the dominant culture rushed to show their displeasure with the inclusion of a black (pop) artist on the CMAs, accusing her of trying to take away country music from whites who supposedly have eternal ownership of the genre — despite the patent & well-documented African and Native American origins of country besides the Scotch-Irish contribution. I myself am a Native Americana / cosmic country & western artist in no small part because I am of Native American, African, and Scottish descent, a rich hybrid made in America’s Southeast from which the Source of the music eternally springs. I am also just a fanatic of bluegrass, mountain music, and cowboy tunes — and I claim as much ownership of that Creation as anybody. Keen observers have known for a spell that one of the most vibrant bluegrass scenes in the world is in Japan, and that events and festivals like the Black Banjo Gathering in Boone, North Carolina, have been yielding a younger, new wave of twang talent of African descent.

14925357_541294672731117_8531302700367219900_n (My shot of superstar country artist #BradPaisley & #CharleyPride opening #CMAAwards50 – credit: @kandiacrazyhorse Instagram)

Here’s what I posted in response to the show on Wednesday night, while live-blogging portions of it on Facebook & Instagram: “I am watching #CMAAwards50 & pondering deeply about the African & Native American roots of the genre; plus how far Nashville & Music Row still have to go in honoring these legacies. Wonderful to see my hero #CharleyPride open the show with my fellow Virginian #BradPaisley (Yep, I’m a fan, despite the unwieldy “Accidental Racist;” I blame LL Cool J); but still tinged with some sadness and confusion. Someday, #NativeAmericana & #BlackHillbilly will take their proper place. For now, enjoying seeing all the 1960s & ’70s country women I grew up on that made me aspire to sing in twang, besides my Native American triumvirate (Buffy Sainte-Marie, Karen Dalton, Rita Coolidge): Loretta Lynn, Tanya Tucker, Barbara Mandrell (!!)…& Reba…Waiting for Dolly [Parton], of course…! #KandiaCrazyHorse #NativeAmericana #mountainmusic #AppalachiaSounds from #Virginia #countrysinger #southernbelle #countrygirlsdoitbetter #AffrilachianNation”

Quibbling about how pop or authentically country any given act is — that’s something I leave to the working music critics. Certainly, the Dixie Chicks’ reappearance on the CMAs was controversial due to their past & interesting to have that baggage reexamined so close to the presidential election. Some staunch country loyalists were always going to react negatively to that. Yet the main issue — just as a decade-plus battle for Country Music’s soul reaches its zenith (see the site Saving Country Music for consistent dispatches on this topic) — is that country (&western…& Americana) is the last frontier for artists of African descent — whether that be Virginia-bred me, Kandia Crazy Horse & my new band Cactus Rose, or Kenya’s leading country singer, Sir Elvis Otieno — and the country establishment and much of the genre’s audience still views it as their own private safe haven away from the predations of urban music/culture/style and technology-tied modernity. It is interesting that Bro-Country, which would often feature the likes of Florida-Georgia Line duetting with Nelly and Blake Shelton attempting to rap, is fading just as there is a rise and music industry push behind a range of country and Americana acts that claim rock and other musics as influences or stylistically and attitude-wise invoke 1970s Outlaw Country: Kacey Musgraves, Sturgill Simpson, Margo Price, Sam Outlaw, etc…and are hailed for restoring “true” country sonics and values […with nods to their precursors Shooter Jennings and Hank III (both of whom I often loved & covered as a critic in the past)]. Yet there’s still apparently little to no room under the twang tent for we country artists of color, cosmic or otherwise.

Hey, I love Tompall Glaser and Clarence White & Willie Nelson as much as any other ’70s babe of my generation; and as a singer-songwriter, I am clearly influenced by my most beloved Gene Clark and the Buffalo Springfield — hear my paeans “Quartz Hill” & “Americana” “Tula” (en espanol) & “Scene & Herd” etc — and the less-celebrated Ladies of the Canyon like Judee Sill, Claudia Lennear, and Essra Mohawk. Neil Young, I see you (& thanks for singing for Standing Rock). I spent the early 1970s toddling behind my dear lil’ Pamunkey mother from the Shenandoah Valley at the bluegrass tents of Folklife Festival, snuck viewings of my favorite show Hee-Haw (’twas grand to see Roy Clark pickin’ an’ grinnin’ on the CMA, yep?), dreaming of growing up to play the Grand Ole Opry (at the Mother Church Ryman, of course) just like Darius Rucker; he ain’t the only one! Sweetheart Of the Rodeo by The Byrds & The Notorious Byrd Brothers were always & still are major for me. I am talented, and I am well-versed in the breadth and depth of country; I am extremely proud of my southern roots. All we want, after so many moons of flying the freak-flag high for Black Hillbilly & Native Americana, is to have a permanent non-conditional seat at the (farm) table, per Mrs. Knowles-Carter’s great sister Solange.

As I go prepare to march for Standing Rock again this weekend through all of Manhattan, please note that the date for the Jalopy Theater water protectors benefit in Brooklyn has been changed to 25 November. Follow the new Cactus Rose band Instagram account at @cactusroselovesyou  for more details as they are announced. I continue my personal commitment to ongoing activism on behalf of the Standing Rock water protectors, and the band & I are very much looking forward to playing with our friends from the Brooklyn Country scene! I expect this to be one of my treasured highlights of #NativeAmericanHeritageMonth 2016

A’ho*

 

 


Kandia Crazy Horse x Jimi Hendrix: Native American Heritage Month

Hope yer gettin’ over The Hump well this week, Sisters & Brothers! For those that don’t know: November is #NativeAmericanHeritageMonth

Here in New York City, I will be doing lots of actions & activities to honor that. Among them, I am doing a prayerful march through the entirety of Manhattan Island this Saturday with my friends of the Eagle & Condor Community Center (in Queens), from the National Museum of the American Indian @ Bowling Green (the southernmost tip of Manhattan) all the way to Shorakapok (the Indian Caves @ Inwood Hill on the Spuyten Duyvil). The march goes from 10 am until 6pm. I will also be rolling through the Black Farmers Conference in Harlem this weekend.

This month, I will be performing at another benefit for Standing Rock, on November 25 @ 9pm, this time at the City’s premiere venue for hillbilly/old-timey/bluegrass/roots music — the Jalopy Theater in Brooklyn. I have been trying to work it out to play at Jalopy for a long time, so happy to finally do so for a great, beautiful cause so near and dear to my Native heart. This will also be the proper debut of my new Native Americana / twang band Cactus Rose. More details TBA!

img_2989 (Kandia Crazy Horse @ Electric Lady Studios in vintage fringed buckskin jacket, Greenwich Village NYC, by Camara Dia Holloway)

Made my #NativeAmericanHeritageMonth pilgrimage to #ElectricLadyStudios in the Village, honoring #JimiHendrix’ Native #Tsalagi roots. Received some purple & feathered energy from Jimi that I will be unleashing when I perform @ the Standing Rock benefit @ Jalopy – A’ho*

#Jimi Hendrix #AniYunwiya #KandiaCrazyHorse x #CactusRose #Pamunkey #Afrohippies #CherokeeMist #TaharqaAleem #Ibeji #TheAleems #TwinsSevenSeven #NativeAmericana #ICanHearAtlantisFullOfCheer #MniWiconi #ElectricLadies #CosmicAmericanMusic


Chelsea Girls: Kandia Crazy Horse x Carrie Mae Weems x Claudia Lennear in NYC

Here’s a photo shot by one of the Jack Shainman Gallery’s gallerinas from yesterday: visual artist Carrie Mae Weems & (me) sonic artist Kandia Crazy Horse @ their space on W. 20th Street in Chelsea, for the opening of her new exhibits (see description below). Carrie & I used to share workspace way back many moons ago when I attended Hampshire College & she was teaching there. Nice to see how far our respective Creation has come & find now in her a fellow fan of my Afrohippie & bluegrass singer-songwriter heroine/inspiration Claudia Lennear — two vintage yet manipulated images, “Blue Notes,” of Claudia are featured in the show.

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Via Jack Shainman Gallery PR: “Jack Shainman Gallery is pleased to announce Carrie Mae Weems’ first solo exhibition in New York City since the historic retrospective at the Guggenheim in 2014. Her influential career continues to address the rifts caused by race, class, and gender via imagery and text that is both sharply direct and beautifully poetic. This two-part exhibition highlights her recent investigations into performance, entertainment, and history.
Blue Notes (2014) and An Essay on Equivalents, See… (2011-2015) highlight figures on the periphery, bringing them front and center. The photographic series are paired with the enigmatic video installation Lincoln, Lonnie, and Me (2012), originally commissioned by the Mattress Factory, Pittsburgh, PA. The work rests on a 19th century optical trick, “Pepper’s ghost,” in which a strategically lit pane of glass reflects people and objects as dematerialized versions on stage. Weems employs this phantasmagoria to examine her own relationship to history and two individuals in particular: the 16th president of the United States and artist/activist Lonnie Graham, her sometime collaborator. Here history becomes theater, a succession of ghostly projections that draw us in to the strange ways in which representation seduces and manipulates, and how some are left out of history altogether, their apparitions left to haunt the expanses of Western culture.
The theme of performance continues with Scenes & Take (2016). Weems dons her black-robed muse persona—recognizable from the now iconic Roaming and Museums series—to stand before empty stage sets, documenting these encounters with vivid color photographs. The contemplative pose of the artist raises issues of who gets to be shown on screen; what do the fictional characters in television, theater, cinema, and visual art say about the cultural climate in which they are created, and how do these representations shift across time?
All the Boys (2016) responds to the recent killings of young African American men and suggests a darker reality of identity construction. Portraits of black men in hooded sweatshirts are matched with text panels. The written descriptions evoke police reports, underscoring how a demographic is all-too-often targeted and presumed guilty by a system plagued with prejudice. […]”

img_1183 (Shot of “Blue Note – Claudia Lennear” by Kandia Crazy Horse – Originally from an early 1970s Playboy feature on the Laurel Canyon singer-songwriter)

Claudia Lennear had famous affairs with Mick Jagger of the Rolling Stones, when she toured with them in 1969 as an Ikette (part of the Ike & Tina Turner Revue), & later with David Bowie during his LA burnout/Sigma Sound Soul phase in Philly – the resulting songs “Brown Sugar,” Claudia’s response “Not At All,” & Bowie’s “Lady Grinning Soul.” I am personally far more interested in her singing with my most beloved Master of Space & Time Leon Russell (as part of the Shelter People) & Claudia Lennear’s attempt to have a bluegrass trio in the early ’70s with her fellow Mad Dogs & Englishmen Tour veteran singers Donna Washburn (once a member of my most beloved/influence Dillard & Clark) & Donna Weiss (later a songwriter of some note; she had songs covered by, among others, another Mad Dogs star & my heroine/influence as a Native Americana artist, Rita Coolidge – I just recently filed an essay about Ms. Coolidge & this lore, which will be published next year in a tome on Women Of Country). A friend & Southern sonic forebear of mine, the late Memphis pianist/producer icon Jim Dickinson (aka James Luther Dickinson of “Dixie-Fried” & “White Horses”+ producing Big Star’s Third fame) promised to give me a photo of their bluegrass trio, as he was tied to the project, but then he walked on. Still hope to see the images someday! Of course, Claudia is active again, post- Twenty Feet From Stardom rediscovery, and leading two bands — one bluegrass — today in Los Angeles & recording an album David Bowie had sought her out to collaborate on before his passing. Looking forward to catching ’em live whenever I next make it to the Coast. I always do enjoy spending time in LA, amongst the newer Laurel Canyon & Topanga Canyon rock ‘n roll hippie glitterati — although most of them are East Side gentrifiers, particularly in Echo Park & Downtown (with satellites in Eagle Rock & Mt. Washington & out in the environs of Joshua Tree & Bolinas & Nevada City); this is why I always keep dear Odetta (who my late Virginian Native American mother Anne Marie wished for me to model & pick guitar in her image) & Claudia Lennear as my history-making twang foremamas & legendary Ladies of the Canyon.

I still plan to do a major project around the sound+vision of Claudia Lennear, Leon Russell, Rita Coolidge & their mutual benefactors, Delaney and Bonnie (& their fabulous Friends) during 2017 – Stay tuned!

img_1185 (Two #BlackRockCoalition & #AfroPunk veteran chroniclers & rock-n-rollers outside Jack Shainman Gallery, Chelsea: #KandiaCrazyHorse #NativeAmericana #CosmicCountry #singersongwriter & #RobFields #BoldAsLove #blogger & festival founder – #FollowMe on #Instagram: @kandiacrazyhorse)

img_1196 (LADY OF (HUDSON) CANYON: After Carrie’s opening, upon The Highline in Chelsea, by a fan – More NYC shows upcoming! #LadiesOfTheCanyon)

 

 

 

 


Project Americana: The American Slave Coast: Live in Amsterdam News

Here’s the first press for our #ProjectAmericana undertaking tonight in Manhattan at Symphony Space — from Harlem’s own Amsterdam News THE AMERICAN SLAVE COAST: LIVE in NYC

Enjoy your TGIF & see y’all out tonight! A’ho, #KandiaCrazyHorse

20161015_165708_1476644650552 (Kandia Crazy Horse & DJ Soul Punk aka Teddy K in East Harlem with effigy of Frida Kahlo, #fbf)


Kandia Crazy Horse x David Archambault II #mniwiconi #NoDAPL #StandingRockSiouxTribe

Between rehearsals for #ProjectAmericana & getting to assorted meetings around NYC, this has been a busy, heady week. Amongst the events I am glad I was able to make time for: Indigenous Forum @ Columbia University. The best part of this was hearing from some of the Oceti Sakowin youth who ran from Cannonball, North Dakota to Washington DC to raise awareness about the Dakota Access Pipeline & related resistance, which I have been engaged in since the dawn of August. Their emotional pleas underscored why we need to keep up our prayers and support for the water protectors at Standing Rock.

img_1063 (David Archambault II & Kandia Crazy Horse @ Columbia University, NYC)

It was also an honor to hear Standing Rock Sioux Tribe chairman Dave Archambault II speak, including about the long history of predations by the U.S. government & settlers on his Oyate’s sovereign territory and subsequent environmental threats to their lands; and then to get to speak to him briefly about my musical endeavors in Indian Country, as well as specifically on behalf of the water protectors of Standing Rock. Right now, we are watching the live feeds of leaders like LaDonna Allard & others, waiting to see what sadly is happening of the moment in North Dakota. Yet, I still have another musical benefit for Standing Rock in development (in NYC) & am committed to sing in support wherever, whenever may be called. A’ho*

#mniwiconi #NoDAPL #ProtectTheSacred #LoveWaterNotOil #RezpectOurWater #StandingInSolidarityWithStandingRock


Throwback Thursday: Kandia Crazy Horse x Nona Hendryx x Lezlie Harrison

A portrait of We Three – Bold Soul Sisters @ #ProjectAmericana rehearsal last night in Gramercy (Photo by Ned Sublette). We look forward to seeing you out at our performance — The American Slave Coast: Live – at Symphony Space in Manhattan this Friday night!

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Kandia Crazy Horse live in Project Americana @ Symphony Space NYC on October 28

Thanks to my dear friends Ned Sublette & Constance Sublette, I will be performing later this month at an event related to their weighty tome about the domestic, Southeastern slave trade in America during the antebellum era: THE AMERICAN SLAVE COAST

Their book has won the 2016 American Book Award, and we are delighted to help illuminate the dark history about the networks of trading Virginia Africans into the Deep South, the roles of American Presidents Thomas Jefferson & Andrew Jackson aka “Sharp Knife” (known by we of Indian Country as a bane to Native Americans yet most are hardly aware of his ownership of enslaved Africans) in slave trading, and also bringing forth the narratives of the Africans brought to U.S. shores themselves — amongst my portion of performance, I shall be reading a “Letter From Virginia,” to represent ye olde home state.

This event of Project Americana will be at the Peter Jay Sharp Theatre of Symphony Space in Manhattan, 28 October @ 8pm. Right now, a limited amount of $10 tickets are available online: PROJECT AMERICANA – THE AMERICAN SLAVE COAST: LIVE

Hope to see y’all out! Here’s the gallery of outlaw artists who I will be performing with:

kandiacrazyhorsephotobycamaradiaholloway (Kandia Crazy Horse by Camara Dia Holloway)

nonahendryx (Nona Hendryx (of Labelle))

carlhancockrux

Carl Hancock Rux

 

constancesublettepublicityshotphotobynedsublette

Constance Sublette

donaldharrison

New Orleans bandleader/composer Donald Harrison 

jonathandemmephotobybobvergara

Jonathan Demme

lezlieharrison

Lezlie Harrison

nedsublettepublicityshotphotobyconstancesublette

Ned Sublette by Constance Sublette


ThrowbackThursday: “Cabin In The Pines” live from the Sacred Water Medicine Show in NYC

As filmed by Camara Dia Holloway, some footage from my Standing Rock water protectors benefit concert, the Sacred Water Medicine Show, is now viewable on this site; click the tab for MUSIC.

This song, “Cabin In The Pines,” which is based on a once-real jookhouse in Southwest Georgia but is my sonic & lyrical paean to Appalachia / Affrilachia, remains one of my most favorite songs I have written to date. If you have not gotten the Native Americana / Country / Americana album that features it yet, Stampede, it is still at my CD Baby store:     STAMPEDE available here!

Playing herein @ Decolonize This Place / Artists Space in TriBeCa with my new band, Cactus Rose (minus Brother Evan on drums!) #mniwiconi #NoDAPL #ProtectTheSacred


Kandia Crazy Horse in The Nation

So, I am off for a meeting with fellow Dakota Access Pipeline Resistance & Algonquin Pipeline folks of NYC to plan for our future actions, including more benefits for the water protectors of the Oceti Sakowin & many other nations. We just sent another bus off full of volunteers and many supplied donations to Standing Rock this past Sunday, so celebrating their road sojourn with them!

Here’s the latest press, from the Indigenous Peoples Day action I did last Monday, which mentions the Standing Rock benefit (Sacred Water Medicine Show) briefly: THE NATION

Enjoy your mid-week!


Kandia Crazy Horse from The Native & The Refugee

Black&White images from The Native & The Refugee’s album of #DecolonizeThisMuseum, Decolonize This Place’s Anti-Columbus Day Tour of American Museum of Natural History on Monday 10/10/2016 – Photographs by Vane Terán

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More Indigenous Day of Remembrance 2016 in NYC

idor2016-7 (Kandia Crazy Horse dancing women’s traditional @ Indigenous Day of Remembrance NYC in Central Park, by Kerrie Sansky)

This photo collection & blog by Kerrie Sansky just in, from the Indigenous Day of Remembrance in Manhattan this past Sunday. Features several photos of me & my friends from the Movement:

Blue Eyes Smiling blog on IDOR 2016

 


Throwback Thursday: Kandia Crazy Horse @ Indigenous Day of Remembrance NYC 10/9/16

Once again, we had a great day out at this event sponsored by the Eagle & Condor Community Center of Astoria, Queens, NY — despite the rains, which seemed to clear when the little Quechua girls of Ñukanchik Llakta Wawakuna started dancing. This year’s theme was focused on women & we Native women warriors; I sang one of my songs, about being a Virginia Native American sacred wild woman, “Bury My Heart In Rock Creek Park,” danced in the circle, and participated in ceremonies including the burning of the “Doctrine of the Discovery” as pictured below. Photos of me by my sisters-in-struggle Melissa Terra Makuriwa Ulto (Taina) & Alexis Stern.

14566194_10153769545346541_7577327285516561517_o (Sisters-in-Struggle @ Indigenous Day of Remembrance in Central Park / Columbus Circle NYC, by Melissa Terra Makuriwa Ulto)
14567438_10153769555816541_6449866400796535231_o (Prayers up! Kandia Crazy Horse @ Indigenous Day of Remembrance in Central Park NYC, by Melissa Terra Makuriwa Ulto)
14570577_10153769563411541_4508482269982042701_o (Listening to Brother Lance First Eagle, Oglala Lakota from Pine Ridge Reservation & nephew of Russell Means, speak while our Filipino #NoDAPL chronicler, Dan Vea, films)
14601080_1133396400082206_61976063757826053_n (Group photo by Josefina Dilonez)
14666268_10154001684836274_3581053896861018704_n (My Brother Bejike Luis Sanakori Ramos of Eagle & Condor Community Center + Naguake Borinken & I by the altar)
14695378_10154001684761274_4338494170273633620_n (Performing the ceremonial burning, with Heather Henson looking on)

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Kandia Crazy Horse in Indigenous Peoples Day NYC film by Peter Eliscu

Here is the footage by Peter Eliscu covering the actions I was involved in from this past Monday in Manhattan, October 10, 2016: #IndigenousPeoplesDay > #DecolonizeThisMuseum @ American Museum of Natural History > & the subsequent march through the Upper West Side commemorating the young Lakota man murdered by police in Rapid City, South Dakota, after attending a #NativeLivesMatter rally in 2014, Allen Locke.

In this film, I am dancing & reading the Indigenous Peoples Day 2016 declaration.


Kandia Crazy Horse x Decolonize This Museum NYC

Decolonize This Place’s Monday action @ American Museum of Natural History in NYC – #DecolonizeThisMuseum – was a resounding success & has been getting coverage in outlets as diverse as the Guardian (UK) & Bitch. I have already linked the press which included interviews with me on the subjects of Indigenous Peoples Day, why I am standing in solidarity with the Oceti Sakowin of Standing Rock / #NoDAPL, & ongoing issues with museum and archival collections established in the 19th century and earlier and how they resonate with us today in the 21st century. Here are some more images from the action, by myself or ones featuring me by Betty Yu. Looking forward to organizing more with #DecolonizeThisPlace – A’ho*

14563441_10209172315778423_5698614324265180754_n Kandia Crazy Horse reading the Indigenous Peoples Day 2016 declaration @ American Museum of Natural History – on the Theodore Roosevelt statue @ Central Park West & 79th Street (Credit: Betty Yu)
14606363_10209172304458140_426804370941124717_n (by Betty Yu)
14642354_10209172304018129_8751199933616624382_n (by Betty Yu)
14642089_530911550436096_1385138216637602553_n (Inside the galleries of American Museum of Natural History, by our #NoDAPL chronicler, Dan Vea)
14681660_530911663769418_6101202082881587596_n (Andrew of #DecolonizeThisPlace @ the Hall of African Mammals, American Museum of Natural History, by Kandia Crazy Horse)
14695311_530911760436075_7901748495020340843_n (#DecolonizeThisMuseum in the Rotunda, by Kandia Crazy Horse)
14522808_530911617102756_9063092105462676208_n (Brother Amin Husain of #DecolonizeThisPlace & my Virginia homegal, artist Marz Saffore (in #BlackLivesMatter hoodie), of NYU in the galleries @ American Museum of Natural History, by Kandia Crazy Horse)
14718651_530911983769386_1770850799197649496_n (1 of 2 original #DecolonizeThisPlace posters for the #DecolonizeThisMuseum action, by Kandia Crazy Horse)
14721602_530911850436066_327715498904209642_n (Artivists covering the statue of Theodore Roosevelt outside American Museum of Natural History in echo of the 1971 Lakota action, by Kandia Crazy Horse)

Indigenous Peoples Day 2016

Howdy y’all of Indian Country & beyond! Although my trip to Standing Rock (departing yesterday) was postponed, I am coming off a whirlwind of three days’ activity about the Dakota Access Pipeline resistance & working to establish Indigenous Peoples Day in NYC and throughout Turtle Island. My benefit for our Standing Rock water protectors, the Sacred Water Medicine Show (AKA Water Is Life – Solidarity Concert), went very well Saturday night in TriBeCa & there are some possible future shows in store – stay tuned! Will be posting photographs & live footage soon.

Sunday, despite the rains, we were at Central Park across from Columbus Circle, commemorating our Ancestors & holding forth on the experiences and leadership of Native women @ the Indigenous Day of Remembrance; I sang one of my original songs, and participated in some ceremonies besides dancing. Photos to come…

Yesterday, I did another action with Decolonize This Place: the Anti-Columbus Day Tour of the American Museum of Natural History for their #DecolonizeThisMuseum event. Here below is the press thus far that contains parts of interviews I gave on the topics of Indigenous Peoples Day, the benefit, and why I am #StandingWithStandingRock as an indigenous revolutionary to the Guardian (UK), The Nation, & the paper that I used to write for/help edit, the Village Voice. Yes, we (mostly) covered the infamous statue of Theodore Roosevelt that fronts the entrance to the Museum, but we also spread some very important messages. This is a heady Indigenous Week of a lot of related events here in NYC, and you will see me out — after I finally get a disco nap! A’ho*

14642037_10209172304698146_5484341417449614873_n (Kandia Crazy Horse reading the Indigenous Peoples Day 2016 declaration, on the covered statue of Theodore Roosevelt with African & Native American men @ American Museum of Natural History NYC – Credit: Betty Yu)

READ:

Kandia Crazy Horse on Indigenous Peoples Day for Guardian UK

Kandia Crazy Horse on Decolonize This Museum & Indigenous Peoples Day in the Village Voice

 

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My Sacred Water Medicine Show – A benefit for Standing Rock in NYC on 10/8 #mniwiconi #NoDAPL

Please join us this Saturday night in Manhattan’s TriBeCa neighborhood downtown as I and my fellow indigenous artists & friends from the Brooklyn Country scene sing in support of the Dakota Access Pipeline resistance and in solidarity with the Oceti Sakowin of Standing Rock Reservation and all allied nations of the water protector camps that are defending the Missouri River and Lakota sacred sites out in North Dakota. All of the artists involved & I are committed to standing with Standing Rock until the end. We will also be featuring speakers on the topics of #NoDAPL, the Algonquin pipeline project, the Anti-Mountaintop Removal movement (particularly important to Morgan O’Kane & I, hailing from Virginia), & other environmental issues affecting Indian Country — some of whom have just returned from the frontline at Standing Rock.

We look forward to seeing you out – be ready to bust some of yer square-dancing moves!

WATER IS LIFE – SOLIDARITY CONCERT @ Decolonize This Place, 55 Walker Street btwn Church & Broadway, NYC |  6pm doors, 7pm show | $10 suggested donation

ft. KANDIA CRAZY HORSE (Pamunkey)

EBONY HILLBILLIES (Catawba)

LONNIE HARRINGTON (Seminole)

MORGAN O’KANE

ALEX BATTLES

BEJIKE LUIS SANAKORI RAMOS+BAND OF TAINOS (Taino)

& TINA EAGLE WOMAN JOHNSON (Tsalagi)

+ SPECIAL GUESTS

waterislifesolidarityconcert


Throwback Thursday: Chief Arvol Looking Horse & Kandia Crazy Horse

On Tuesday night in the West Village, I had the great honor of hearing spiritual leader Chief Arvol Looking Horse & his lovely wife Mrs. Paula of the Cheyenne River Reservation speak at Indigenous Voices. The stories they both shared expressed a great depth of wisdom & compassion as well as some worry for indigenous futures. As we continue to stand with Standing Rock and aid the water protectors for the long haul through this winter, there is a lot to think about, act on, and — as Mrs. Paula said — learn to pray centered from our umbilical cords rather than our trickster hearts.

I am still processing all that I learned from them & heard about the frontline in Standing Rock, so I will offer forth more this Saturday night at my Standing Rock benefit in lower Manhattan — Water Is Life – Solidarity Concert — and in the weeks to come (including during Indigenous Day of Remembrance @ Central Park where I shall be sharing songs & ceremony).

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Sacred Water Medicine Show in NYC on 10/8 @ 7pm #NoDAPL

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Dear Family, Friends, Followers & Folks – Come on out to the Standing Rock benefit concert that I conceived, curated & will perform at on Saturday, October 8th, in Manhattan @ Decolonize This Place, 55 Walker Street, 7pm (doors 6pm), $10 suggested donation. We will be having an evening of indigenous musicians and visual artists coming together with our allied friends from the Brooklyn Country scene to sing, dance, speak about the pipeline resistance & generally raise a joyful noise standing in solidarity with the Standing Rock Oceti Sakowin, united Native nations from across America, and their allies as they winterize to combat the Bakken project afflicting sacred burial sites, the Standing Rock reservation, and lands and water all along the Missouri River.

The featured performers:

Kandia Crazy Horse (Pamunkey)

Ebony Hillbillies (Catawba)

Morgan O’Kane

Alex Battles

Lonnie Harrington (Seminole)

Luis Sanakori Ramos+Band of Tainos (Taino)

& Special Guests including Jana Brownbear, Anastasia McAllister, Bianca Dagga & More

Emcee/speaker: Tina Eagle Woman Johnson of Cherokee Language & Cultural Circle NYC

Facebook evite: Water Is Life – Solidarity Concert

p1030486 Kandia Crazy Horse (credit: Camara Dia Holloway)

13568787_492125720981346_5104601475048609822_oTina Eagle Woman Johnson (credit: Kandia Crazy Horse)

img_0436 Henrique Prince of Ebony Hillbillies (@the recent Harlem Hoedown) (credit: Kandia Crazy Horse)