Posts tagged “NativeAmerican

March 4th For Standing Rock NYC

Some scenes from yesterday’s march through Midtown Manhattan in support of Standing Rock. I spoke in front of the main branch of the NYPL on Fifth Avenue & 42nd Street about multiple pipelines afflicting Turtle Island, the Ramapough Lunaape Split Rock Sweetwater Prayer Camp & the role of my fellow musicians in this resistance. I was also later interviewed by BuzzFeed on the approach to Columbus Circle. Video to follow. Despite the cold, we had a pretty good turnout & the freewheelin’ jazz band held us down, dancing at the rear of the column. ‘Twas another great day to be indigenous & help spread awareness – A’ho*

(All photographs by Kandia Crazy Horse unless indicated)

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(Eagle Woman o’er my right shoulder & Kandia Crazy Horse w/ her handmade sign @ NYPL Fifth Avenue & 42nd St before the speakers & march)

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Throwback Thursday: Kandia Crazy Horse x Sheila E. x D.A. Pennebaker @ Yale University | Repose en paix Butch Trucks

I am still recovering from the sonic & social whirl of this past week in Connecticut where we were engaged in mounting the #DavidBowie & #Prince memorial conference “Blackstar Rising & The Purple Reign,” organized by my dear friend & Yale University scholar Dr. Daphne A. Brooks. A good deal to reflect upon from all I heard from my former rockcrit colleagues including Ann Powers of NPR Music & Michaelangelo Matos & Greil Marcus, as well as those of the Academy such as Tavia Nyong’o of Yale & Eric Lott of CUNY Graduate Center. I do appreciate the wide audience that my session with Sherae Rimpsey & Alan Light — Everybody Still Wants To Fly — garnered due to our being the lead-in to Solange Knowles’ keynote address. My take on Prince as Mystery Cult via the prism of what Harold Bloom has denunciated as “California Orphism” was interesting to some folks (smile). And my Texan bandmate KAR / Kimberly Robison kindly traveled up from the Hamilton Grange to support me in my presentation & also did some vital research at Yale on Emily West aka the Yellow Rose of Texas for an upcoming project we wish to mount – stay tuned!

I was also very sad to learn upon my arrival in New Haven that Allman Brothers Band drummer Butch Trucks was gone to Glory. A lot of flashing on my time spent on-and-off the Road that goes on Forever with the Allmans is surfacing & I am doing a lot of listening to my favorites among their compositions — particularly one of my 3 most treasured songs: “In Memory Of Elizabeth Reed.” So, more to come after a spell on what transpired last week…yet here’s two precious souvenirs of my time spent in New Haven — meeting one of the scions of the great Escovedo family of American music that has had a profound influence on me since I initially grew up in a colony of Aztlan, a Chicano barrio in Chocolate City; I am very much a follower as a singer-songwriter of Sheila E. & her uncle Alejandro Escovedo…& as a past film school graduate and lover of concert cinema, I have also been influenced by D.A. Pennebaker who made my beloved Monterey Pop. An honor all ’round to briefly share space with them…A’ho*

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( Sheila E. & Kandia Crazy Horse of Cactus Rose @ Yale University last Friday night, New Haven, Connecticut )

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( Kandia Crazy Horse of Cactus Rose & legendary filmmaker D.A. Pennebaker @ Yale, after screening of his 1973 David Bowie documentary “Ziggy Stardust” )


HAPPY NEW YEAR & #NoDAPL 2017!

Happy New Year, y’all & best wishes as the seasons unfold. I hope you had a grand ole holiday time; for my part, I finally got some much needed rest & a spell to rotate some albums of 2016 — especially country releases — that I never got to hear during the course of last year. We of Cactus Rose are taking some time to conjure, connect culturally & write songs during January & then we will be doing two shows on the Brooklyn Country scene in February. I will be making my first live appearances of 2017 in upstate New York & in Connecticut — the latter being a major event I am not yet at liberty to share details about. Stay tuned to this page &

…In the meanwhile: hope can rope yer hearts to join Jonathan Demme & myself @ the Jacob Burns Film Center in Pleasantville, NY next Saturday for his western movies screening series / live event “Saddle Up Saturdays.” I will serve as the guest artist / interlocutor for the presentation of Dixie lore & Lakota-themed Run Of The Arrow starring Rod Steiger, Brian Keith & Charles Bronson — followed by a discussion + Q&A. The screening will be preceded by Jonathan’s Standing Rock documentary: Protection Not Protest: The People of Standing Rock

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Neither I nor my fellow bandmates in Cactus Rose, Jeff & Kimberly/KAR, have forgotten about Standing Rock or Split Rock, despite the switch in focus to Aleppo or the trend hoppers moving on to the next new thing; and we remain committed to helping stop all the black snakes threatening Turtle Island. So this event will be a good opportunity to come and hear about the Split Rock actions & other causes of Indian Country as well as how it was for me to grow up Indian loving the western genre & cowboy music in the Vietnam Era when antiheroes dominated horse operas while there was a revival of Native American consciousness in the real world beyond celluloid. A’ho*

#IStandWithStandingRock

Tix & more information available here: RUN OF THE ARROW w/ KANDIA CRAZY HORSE 1/14 @ noon JACOB BURNS FILM CENTER

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Throwback Thursday: Meeting Anna Deveare Smith

Yesterday was an afternoon well-spent in Midtown: attending the matinee of Anna Deveare Smith’s new play #NotesFromTheField @ Second Stage Theater & enjoying a post-show discussion of the school-to-prison pipeline and creative process. I was fortunate enough to see the work by the generosity of my friend who is planning to film the play in 2017, and then to meet Ms. Deveare Smith briefly afterwards. Of the many brilliant characters from various walks of American life that were featured in the play, I most enjoyed her voicing of Congressman John Lewis (D-Georgia) who is the activist that remained most at the forefront of my consciousness during 2016 & the presidential election cycle, as he urged folks to vote.

On a more personal note: Anna Deveare Smith gave me a treasured, high compliment – that my sounds / performance style / interaction onstage with space remind her of Sweet Honey In The Rock. Some of my most precious praise for my creativity that I have received & was happy to learn that Ms. Deveare Smith is from Baltimore, Maryland, aka B-more & thus of the same mid-Atlantic region – #DMV represent!

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( Anna Deveare Smith & Kandia Crazy Horse, backstage @ Second State Theater in Midtown NYC )

Either through its staging or the eventual film, looking forward to Notes From The Field speaking to a wider audience. It is a masterwork engaging with this hard, turbulent moment of murders, #BLM, Standing Rock and the “New Jim Crow” on the prison-industrial complex that Angela Davis, Ava DuVernay & several others have been holding forth on, even as one of the major prison strikes in U.S. history has been unfolding this season with very little notice or coverage. How primary school students in minority / underserved communities are being treated is something we all need to think long & hard about…


Rebel Music In The Hour Of Chaos: protest music concert @ Decolonize This Place NYC 12/12

“Rebel Music In The Hour Of Chaos:” Music emanates directly from my indigenous soul. Therefore, it immediately made sense for me to perform my music again this year as a soundtrack to our overlapping struggles – including #NoDAPL. Sounds, including freedom songs past & present, most powerfully link us together & amplify what’s transpiring from the actions in the streets. I was born in the Season of Marvin Gaye’s “What’s Going’ On,” an album that dominated my childhood as the strivings for Total Revolution continued past the 1960s societal upheaval; and the inspiration to become an artist-activist sprang from that era. I remain under the influence of rebel music from many artists and cultures – Please join us on Monday 12 December @ Decolonize This Place. 55 Walker St, TriBeCa NYC (Doors 8pm). when we will perform some songs of protest & be in conversation about our activism with Brotha Rob Fields (Bold As Love / Black Rock Coalition) – A’ho! Cactus Rose ft. Special Guests: Abiodun Oyewole (The Last Poets) & Mahina Movement

This may be our final show of 2016, so we really appreciate you coming through & all of your support during the many Standing Rock resistance actions – Wopila tanka, y’all

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 ( Afro-Native sisterhood from Virginia: Kimberly Robison/KAR & Kandia Crazy Horse of Cactus Rose, Native Americana / cosmic country band, @ Decolonize This Place in TriBeCa this past Sunday for Black Art & Activism Now, curated by Dr. Camara Holloway & Tavia Nyong’o (Yale University) )

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( preliminary poster for REBEL MUSIC IN THE HOUR OF CHAOS by artist Kyle Goen (Decolonize This Place/MTO Collective) #KyleDidThis )

img_4092 ( Jeff McLaughlin, lead guitarist / vocals of Cactus Rose )

img_4257 ( Kandia Crazy Horse with Lorena, Vaimoana & Gabby of Mahina Movement @ Decolonize This Place NYC )

img_3640 ( Kandia Crazy Horse & Abiodun Oyewole of The Last Poets – Cactus Rose Instagram: @cactusroselovesyou )


Kandia Crazy Horse x Democracy Now! 20 in NYC

Last night in Harlem, I attended the Democracy Now 20th anniversary celebration @ Riverside Church – by the grace & generosity of my filmmaker friend Jonathan (his footage from the past long weekend @ Standing Rock may be on the Tavis Smiley show tonight on PBS). This photograph is from just after I sang “This Land Is Your Land” in the nave @ Riverside with Tom Morello (Rage Against The Machine). They’d been spinning Woody Guthrie before the event & I reckon a Steve Earle version of the tune. I had been musing deeply on Woody, Pete Seeger, Madiba, my honorary uncle Kwame Ture (Stokely Carmichael)’s funeral in the same space & that MLK Jr denounced the Vietnam War from that pulpit. Singing in this sanctified Harlem space by the Hudson riverside got me fired up for next week’s rebel music program @ Decolonize #AllPowerToThePeople #CactusRose #KandiaCrazyHorse #artist #activist #indigenousrevolutionary #DemocracyNow20 #SingOut!!!

15284120_556037121256872_8495211222245119211_n ( Tom Morello by Kandia Crazy Horse )

Another photo from “Celebrate 20 Years of Democracy Now!” that Gina Belafonte sent me during the event. Although they knew each other previously, this was the first time Noam Chomsky & Harry Belafonte shared a platform according to him. What I loved best about Uncle Harry’s portion: he referred to Standing Rock & remade the call to Obama — as per my own wish throughout Walking Eagle’s presidency — to pardon Leonard Peltier. Accompanied by Democracy Now‘s footage @ Standing Rock & other indigenous resistance actions including those of Idle No More, I felt good to have our issues addressed on the date of the camps’ eviction (5 December). This discussion with the icons plus show hosts Amy Goodman & Juan Gonzalez occurred right before Patti Smith took the stage with a guitarist & her daughter Jesse on piano (a generational sonic nurturing I was glad to bear witness to as a female singer-songwriter & activist) to sing a forceful rendition of “People Got The Power” to a standing ovation.

img_0651 ( Noam Chomsky & Harry Belafonte sharing a platform for the first time – Democracy Now 20 @ Riverside Church in Harlem, by Gina Belafonte )

I am grateful I got to attend the event, be inspired by the speakers including Danny Glover & Danny DeVito, and, impromptu, be invited to sing a song for the people by one of our most hallowed American artist-activist icons, Woody Guthrie. Still musing on the takeaway from this celebration & will be sure to express it at my own protest music conversation/concert next week in Manhattan. Please join us in TriBeCa on the evening of 12/12 – We The People have many more reasons now in the Americas to #SingOut!!!

A’ho*

15380392_556094321251152_7836024051876842413_n ( Kandia Crazy Horse, singer/songwriter/indigenous activist of Cactus Rose, Native Americana / country music band, @ Riverside Church in Manhattan, after Democracy Now 20 )


Standing With Standing Rock #mniwiconi #NoDAPL #defendthesacred

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Just returned a bit earlier from my twin Camara’s #blackartandactivismnow event in TriBeCa @ our home away from home #DecolonizeThisPlace — fortunately, my Black Rock Coalition/Bold As Love good friend/compadre Rob Fields was seated by me at the program, sharing the digital smoke signals about the #NoDAPL good news with me during the panel & then, upon returning home, got a ring from my friend Jonathan from the camps @ the frontline in North Dakota giving the confirmation that the easement was not granted to ETA – if they git’er done, Jonathan’s footage will appear on the Tavis Smiley show on PBS Tuesday night. I finally truly believe in the power of prayer, happy to see such a great outcome after many months of organizing, laboring, marching, rallying & of course, singing, in support of #StandingRock.

Yet this is not the end, for we #blacksnakekillers of the Tri-State must be heartened by this result & continue to fight to #StopSpectra #NoAIM #NoAlgonquinPipeline & I remain #standinginsolidaritywithsplitrock >>>>>>>—–))—>♥ Sometimes we on the right side of history can prevail & conscience trumps greed and corruption. Thank you, President Barack H. “Walking Eagle” Obama & the Army Corps for your action!

Overjoyed that we water protectors have won! The Dakota Access Pipeline will be re-routed, which is a hard-won victory for the Standing Rock Sioux Tribe & rest of the Oceti Sakowin. The ordered environmental impact statement will take months to complete, so it’s not all over & done yet. Still, we celebrate this huge victory & I will report back on the gnosis and mood of tomorrow night’s Democracy Now! event held by Harry Belafonte & Danny Glover et al @ Harlem’s Riverside Church – A’ho!

ARMY HALTS CONSTRUCTION OF DAKOTA ACCESS PIPELINE!


Still Standing In Solidarity With Standing Rock #mniwiconi #NoDAPL

As I have been these many months, I continue to be engaged in the Dakota Access Pipeline resistance in solidarity with the Oceti Sakowin of North Dakota – & now, supporting Split Rock as well (sanctioned by Red Warrior Camp), in solidarity with my cousin’s wife’s people, the Ramapough Lunaape of New Jersey, in order to stop the construction of the Algonquin Pipeline. Due to the escalation of attacks on the water protectors @ Standing Rock last Sunday night, I am receiving many communications on the cause & have now been invited to perform at yet another benefit for the camps, which will take place in NYC before Christmas. Other things are afoot as well & will relate about them as they unfold. Glad to note my Virginia Native great aunt is taking up flooding the phones to the president & state representatives with her circle of elders on behalf of Standing Rock!

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( Kandia Crazy Horse, water protector, in Midtown NYC #mniwiconi #NoDAPL #NoAIM #defendthesacred #blacksnakekillers of Turtle Island )

For now, reflecting on having participated in the rally > march for Standing Rock last Wednesday @ Trump Tower in Midtown Manhattan & then performing at the Benefit For Water Protectors of #StandingRock on Friday night — making our debut as Cactus Rose at Brooklyn’s famed Jalopy Theater for ole-timey/hillbilly/folk/mountain music. It was an honor to serve as the headliner for this benefit, with our special guest: Seminole/Shawnee/Mikisúkî singer/songwriter/activist Lonnie Moon Fire Harrington. I have been told by the organizer that the event raised almost $2,000 in donations, so – Wopila tanka to all who came through!

Enjoying these last days of #NativeAmericanHeritageMonth — before band rehearsals resume for our full slate of December performances & attending two events this week for artists I greatly admire: tomorrow’s BET screening of the Sharon Jones documentary (in memoriam) & the private viewing of Morrison Hotel Gallery’s traveling Neil Young exhibit in SoHo on Thursday evening. Looking forward to seeing y’all out-n-about, as well as at the Standing Rock teach-in later this week @ Decolonize This Place – A’ho!

img_0252 ( Cactus Rose, Native Americana/cosmic country band, debut @ Jalopy Theater – pix by Jan Bell of The Maybelles )

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Kandia Crazy Horse x Thanksgiving Week #StandingRock actions & benefit concert 11/25 in NYC

Howdy y’all / Osiyo skidoi, all my relations! I have not been able to report back much nor update this site, due to all the many #StandingRock actions & Native American circle pre-thanksgiving ceremonies & events I had over this past weekend & some. Among other events, I sang some of my Native Americana music @ the opening of Urban Native exhibit Cave To The Stars – Urban Natives Unrecognized @ Bread & Roses Project Gallery in Midtown last Thursday; I did #HonoringOurAncestors with the central Harlem Native circle on Saturday, followed by the Thunderbird American Indian Benefit Auction that night on the Upper East Side. And still working on my #LeonRussell memorial article, even as I rehearse for this Friday’s Benefit For Water Protectors concert in Brooklyn @ Jalopy Theater. Ho wa, will share some pix of all this activity by-and-by, but now am learning new songs & also preparing for tomorrow’s Standing Rock action in Midtown – if you somehow missed the horrible news of the chemical weaponry, water cannons & rubber bullets unleashed on the Standing Rock water protectors Sunday night in sub-freezing temperatures & its fallout, now is the time to become aware & join us in these support actions & by donating to the camps. I am receiving many communications suddenly from friends who have been relatively apathetic pre-election & several fellow country / Americana artists now querying me about the Standing Rock resistance; so it will be interesting to see how this continues to unfold & whether President “Walking Eagle” Obama will finally do something definitive in response to these unconscionable attacks on my prayerful relations out West. Still enjoying #NativeAmericanHeritageMonth somewhat — despite the unceasing musical losses: sadly, #SharonJones has walked on, claimed by the same cancer that took my dear mother. This has cast a further pall on the holiday week. A’ho*

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Art for tomorrow’s #StandingRock action, by my brotha-in-struggle Kyle Goen #kyledidthis

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& a lil’ lighthearted #ThrowbackTuesday snap by #NedSublette of me & my brothas Teddy K aka DJ Soul Punk & Cap’n #KirkDouglas of #TheRoots (the last time I got to see Sharon Jones & the Dap-Kings live was @ The Roots Picnic in Philly) @ my live #BlackHillbilly #countryandwestern music series #TheHarlemHonkytonk #SaddleUp!

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The Guardian UK on 300 WATER PROTECTORS INJURED AT STANDING ROCK report


Remembering my favorite singer & biggest influence: Gene Clark

Gene Clark, a Native son of Tipton, Missouri, was a brilliant singer/songwriter/folkie who attained global fame for a spell in the 1960s as a member of The Byrds. Then, after quitting the band at the height of their acclaim — leaving them with the amazing “Eight Miles High — Gene embarked on a long & often turbulent solo career until his untimely death right after I moved UpSouth. Thus I never got to see him live, much to my regret. Yet each & ev’ry day I flash on him & his Creation, usually keeping a lot of his collaboration with my favorite banjoist, Doug Dillard (also now gone to Glory), in heavy rotation. One of my most beloved of Gene’s songs he cut with The Gosdin Brothers backing him – “So You Say You Lost Your Baby;” I also spin his masterpiece No Other a great deal. “One In A Hundred” and “Life’s Greatest Fool” are other key tunes of his for me. Someday, I will feel brave enough to share my ode to him, which I composed out of my time dwelling in the Ozarks in Missouri, called “Tipton Bramble.”

Today’s Gene Clark’s bornday, so re-sharing the column I wrote on him a couple years back which foregrounded his Native American heritage (which many don’t know about) & also featured an interview with my Cosmic California musician/surfer friend Brent Rademaker of Beachwood Sparks & now GospelBeach: THIS BYRD DONE FLOWN AGAIN by KANDIA CRAZY HORSE

Photo of Gene Clark ( GENE CLARK, POST-FLYTE )

Also found out last night that rare country-rock specialist label Sierra Records has issued Gene Clark – The Lost Studio Sessions 1964-1982  > So will get that in my #NativeAmericanHeritageMonth rotation fo’sho’! – A’ho*

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dicljo (Dillard & Clark)

 


Kandia Crazy Horse & Cactus Rose debut @ Jalopy Theater, Brooklyn, for Standing Rock #NoDAPL

As a fan/supporter of the Americana & Alt-Country scenes for decades, as well as a longtime rock journalist/music editor covering the country genre, I became aware of Brooklyn’s Jalopy Theater at its inception & used to frequent it a lot in the earlier days of its existence when I socialized with a lot of rural transplants to the City from elsewhere in Mainland America. Since I started writing songs & then playing out, have long wished to play there for Jalopy is the main equivalent in NYC to what the Nashville country Mother Church, the Ryman, provided for generations of hillbilly singers & players during the 20th century. So I am pleased that I am finally making my debut appearance @ Jalopy Theater on 25 November, with my new Native Americana / Cosmic Country band Cactus Rose: Jeff McLaughlin (guitar, vocals), Evan Taylor (drums), Hilary Hawke (banjo, vocals) & our frequent guest star, Seminole elder/artist/activist Lonnie Harrington (guitar, vocals). Thanks to the organizer of this benefit for the water protectors of Standing Rock that we are performing in support of: Jan Bell of the Maybelles & #BrooklynAmericanaFestival

img_3704 ( My picker, Jeff McLaughlin, with his signature Heritage guitar, during our Cactus Rose band rehearsal this afternoon, High Harlem NYC – We are pleased to continue our activism & being of service via our art on behalf of Standing Rock — as well as the Split Rock — water protectors in North Dakota & New Jersey #mniwiconi #NoDAPL #NoAIM #StandingInSolidarityWithStandingRock #LoveWillWin )

It will be fun to again share a bill with the husband of my dear sistahfriend & fellow Georgia Peach, Amanda Jo Williams, that I have sung with for years: Matthew O’Neill – Matthew’s also a big Neil Young fancier & we commune often about Neil’s sounds & Native lore; so great timing to do a show with him during Native American Heritage Month & right after Thanksgiving. Looking forward! Nee Ah Nee – A’ho*

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Kandia Crazy Horse on The Red Road East (the sequel) #NoDAPL #NoAIM

Last night, I received Supermoon Medicine & then journeyed to the television station of Bronxnet to serve as a guest artist-activist on Fierce-Truthseeker’s (Tsalagi) show The Red Road East, which covers art, entertainment & political issues of Indian Country. As you may recall, I was the guest on the first-ever episode of the program & was happy to be asked back again — specifically for Native American Heritage Month — to speak on the Standing Rock & Split Rock resistance movement in the NYC / Northeast area, what actions we have done & plan for the future & promote the upcoming Standing Rock benefits I will be doing here: on 25 November @ Jalopy Theater in Brooklyn & the weekend of 16 December on Manhattan’s Upper East Side @ Ibex Puppetry. Additionally, I will be doing an artists & activism program on the current state of protest music, back at Decolonize This Place in TriBeCa on 12 December, with my Native Americana / Cosmic Country band Cactus Rose & special guest Abiodun Oyewole of The Last Poets. Stay tuned / follow me on Instagram for posters, ticket links & updates on these events.

When The Red Road East airs, will share the footage here for y’all outside the local NYC network. The Standing Rock benefits of Neil Young, Jackson Browne & Dave Matthews have gotten a lot more notice than the efforts of our grassroots collective of activists & generally, it’s difficult to get the media to pay attention to the creation of independent musicians without multi-million dollar teams behind them. Yet we are trying hard with very few resources to contribute to the cause with an all-female artists lineup Standing Rock benefit – the one slated for mid-December — to remind people that, despite the election outcome, #TheFutureIsFemale …So we thank you heartily for your support & for coming through to the concerts. I am a mite weary, but enjoying #NativeAmericanHeritageMonth to the fullest! A’ho*

img_1952 ( Kandia Crazy Horse @ Bronxnet studios, before the live taping on “The Red Road East” )

img_3640 ( Kandia Crazy Horse of Cactus Rose & Abiodun Oyewole of the Last Poets @ Bronxnet, after the taping of “The Red Road East” #NativeAmericanHeritageMonth x #BlackPower50 #indigenousfutures #IStandWithStandingRock )

img_3625 (The set / studio of “The Red Road East” hosted by Fierce-Truthseeker #Tsalagi #Cherokee)

“Those who damage Mother Earth, damage us all / Forgive them / They don’t yet see”

– Neil Young


Standing Rock National Day of Action #NoDAPL #NoAIM NYC

img_3571 ( Ramapough Lunaape president/chief Dwaine Perry & Kandia Crazy Horse, Native Americana singer-songwriter/activist, of Cactus Rose band @ Central Park, after the Ramapough Lunaape clan mothers’ march in Manhattan )

We of the Eastern Nations in NYC / the Tri-State area are standing in solidarity with Standing Rock today for the National Day of Action. Check your local groups for opportunities to participate. I did prayerful advance marching with the Ramapough Lunaape Nation clan mothers & their Chief Dwaine Perry who came into Manahata from New Jersey on Sunday. We proceeded from Columbus Circle up through Central Park where we held the circle & performed water ceremonies prior to the Supermoon rise. I have been invited to sing in support & be of service at the Ramapough Lunaape water protector camp @ Split Rock in future & look forward to it. Many of us indigenous activists of the NY / NJ / CT area are committed to stopping Spectra, the Algonquin Pipeline, & halting any other pipeline projects that arise in the Northeast. As Sister Davidica Little Spotted Horse of the Oglala Lakota told us last week, the goal is for folks to attend to the black snakes in their own backyard rather than everyone converging on Standing Rock – still we have much to learn from the Oceti Sakowin & remain strong in solidarity with them as they defend The Mother – A’ho* #IStandWithStandingRock & #SplitRock #StandingRockNationalDayOfAction #NativeAmericanHeritageMonth #mniwiconi #NoDAPL #NoAIM #LoveWaterNotOil


America: We Got To Work for Peace

“We got to work for Peace / Peace ain’t gonna be free / Gotta go to war…” so often sang my late hero & artist-activist influence Gil Scott-Heron (but he was not a warhawk, he was singing of peace-waging), when I used to see him annually in NYC at venues such as S.O.B.’s downtown. And, while I listened to his tunes “B-Movie” (about Ray-Gun America in the 1980s), “Winter In America” (a reminder for #NativeAmericanHeritageMonth & due to escalated actions around the Dakota Access Pipeline resistance & halting other black snakes of Turtle Island) & “Gun” (for obvious reasons in trigger-happy America & upon Veterans Day), this week & then just spoke with my Pamunkey great aunt Ethel from Virginia, who is an activist/southern belle/church lady in the truest sense & at 91 would have been embedded all year @ Standing Rock were it not for ailments, I was reminded indelibly that we cannot despair at this hour of chaos after the presidential election. We must be strong, we must be prayerful if we follow Native tradition & other faiths, and we must seek to be united as possible in order to work for Peace in the coming days of a New Nation that does not honor nor respect the rights of all of its citizens.

img_3456 ( Caitlin Rose & Kandia Crazy Horse @ Mercury Lounge NYC (w/ photobomb by Roddy of Daniel Romano’s band – Follow @cactusroselovesyou on Instagram )

2016: A year of sonic loss, domestic terrorism against #NoDAPL water protectors & days of rage in newly-minted Trump America…I will not retire from my activism & I am feeling a renewed dedication to songwriting, illuminating the folkways of the postmodern New South, and collaborating with other (Native) artists that also follow the Way of the New World to work towards indigenous futures. So, instead of wallowing — although I was/am mighty weary — I went out into the fractious City, finding fellowship & even some laughs with other indigenous activists from near and far as well as musicians from Argentina (Nico), Canada (Daniel Romano & band), & my sistah-in-twang Caitlin Rose (Nashville via Texas). While we raised a toast of Tecate backstage @ Mercury Lounge in the East Village/Lower East Side to Canadian singer-songwriter icon #LeonardCohen & #MightyBaby’s Martin Stone who just passed & then I rotated sounds of my treasured record collection overnight in their memory + for Veterans Day (my step-great-grandfather Mr. Bridges of SW Georgia fought bravely in World War I & always remember him upon this day) — Elyse Weinberg, Stevie Nicks (who I mightily wish I could catch on her current tour!) & Fleetwood Mac, Jon Lucien, Rufus Wainwright — it was deeply impressed upon me that we must be thankful that #WeAreStillHere able to sing, play, laugh, dance & write songs, despite possible dark days ahead on Turtle Island and all of the many sad losses that have befallen the music world in 2016. As discussed with #CaitlinRose, I look forward to playing in Nashville, doing some festivals & sharing new songs in 2017, with my trusty band Cactus Rose holding me down. Some don’t like (colored) women who are brave & fly the freak flag high; there are concurrent wars against us of the #NoDAPL resistance and the collective body of black women in this society; and there are some entities that have tried/want to silence my Voice – but still I shine on. And I am going to stay #BlackHillbilly ’til I die. Here’s to #TGIF — as my great aunt would say — and looking forward to enjoying the remainder of #NativeAmericanHeritageMonth

A’ho #countrygirlsdoitbetter

img_3397 ( Nico Bereciartua of Magpie Salute (from Argentina) & Kandia Crazy Horse of Cactus Rose band (in hat Karen Dalton) @ Henry Diltz’ Morrison Hotel Gallery in SoHo for “Midnight Rider” photography exhibit on Gregg Allman of the Allman Brothers Band by Patricia O’Driscoll, NYC )

>>>>>>—–))—>

( Why I want to see Stevie Nicks (who I have never seen) live…She composed this song “Silver Springs” while on the Road in my homeplace of the #DMV. I used to spend special times with my late mother in Silver Spring in the brief period before she walked on & grew up going there often in my “Maryland is for crabs…Virginia is for lovers” shirt in the 1970s. Precious memories…& songwriting inspiration! )

( How I came to truly know/love Leonard Cohen’s “Hallelujah” – via my beloved & the best male Songbird of my generation #JeffBuckley (RIP) #ScorpioRising #ScorpioSeason – In Memoriam for all the Singers & Players & Freedom Fighters )

( & Leonard Cohen & Jeff Buckley’s acolyte who’s one of my most beloved contemporary artists: #RufusWainwright – This 11/11 tune comes from his double-LP masterpiece Want One / Want Two that was life-changing for me in the early Aughts. I still treasure getting to meet Rufus once backstage at a taping of the Jimmy Fallon Show in Manhattan, courtesy of my brotha Kirk Douglas of The Roots )


Kandia Crazy Horse x Kimberly Robison #KAR on the march of Manahata for Standing Rock #mniwiconi #NoDAPL

Some of the great photography that’s come in from Afro-Native artist & milliner from Texas, Kimberly Robison / KAR. I look forward to performing with her here in NYC next month, as well as being involved with various actions on behalf of Indian Country. When I did the same march up Wickquasgeck back in early August with Brooke & Luis of Eagle & Condor Community Center, there were only 10 of us. So it was heartfelt & illuminating that so many have come to stand in solidarity with Standing Rock in the time since – A’ho*

#mniwiconi #IStandWithStandingRock #NativeAmericanHeritageMonth

_dsc6278

_dsc6334 (With my fellow NYC artist Cheadah, upon our arrival @ 107th Street)

_dsc6300 (In the sage smoke…)

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(Kandia by Kimberly / KAR in my “Karen Dalton” hat)


Make America Native Again & #ImWithHer – Presidential Election 2016

I am an independent, stubborn southern belle & outlaw queen — Always been, always will be. Still, I believe #TheFutureIsFemale & I am also, of course, here for #IndigenousFutures – so I voted today in remembrance of my heroines: my Pamunkey mother Anne Marie from the Shenandoah Valley & Miz Fannie Lou Hamer, The Black Panther of Lowndes County. Sho’nuff, neither party gave us much of a decent choice & Kaine has only paid lip service to #NoDAPL on the eve of the election, smacking of desperation. Yet I have got to take the long view for the Turtle Island Liberation Movement I am a part of & with deep south kin still alive who were persecuted and firebombed by the Ku Klux Klan for daring to vote & mobilize their African-descent community to do so, I will never take my right to vote for granted. And a #NastyGal does step into the breach & flex her power, too – Love, that’s America! A’ho*

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#KandiaCrazyHorse #NativeAmericana #singersongwriter #CosmicAmericanMusic #NativeAmerican #artist #activist #indigenousrevolutionary #AfroHippie #IStandWithStandingRock #NativeAmericanHeritageMonth #LoveWillWin #Merica

Sidenote: as a Black Bullette/Taurus Woman & Wonderlove(r), this was great to read today: http://www.huffingtonpost.com/entry/stevie-wonder-driving-equals-trump-presidency_us_5820c1a0e4b0aac62485fa21 KANDIA CRAZY HORSE loves STEVIE WONDER (a key influence)

img_1653 ( Kandia Crazy Horse #IdleNoMore in the voter queue today in Hamilton Heights / Harlem-on-the-Range, Uptown NYC – @cactusroselovesyou Instagram )

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( Coming out of my polling place, a school named for Adam Clayton Powell Jr. – IG: @cactusroselovesyou )

img_1652 ( Some local Latina sisters were gifting us #StarsAndStripes Hershey kisses while we waited to vote #VoteNYC – IG: @cactusroselovesyou )


Marching Manahata in solidarity with Standing Rock

It’s a great day to be indigenous, Sisters & Brothers! Leaving out anon to march Manahata along the Lenape trail Wickquasgeck, with my friends & fellow activists of the Eagle & Condor Community Center — we all stand with Standing Rock. This is my fight song…well, theme music for the Trail, anyroad; was singing this, “Broken Arrow” by my favorite band Buffalo Springfield, last Friday night acapella with filmmaker Jonathan Demme who’s a fellow Neil Young stan, after our #ProjectAmericana performance @ Symphony Space.

Thinking of the Missouri River (with “O Shenandoah” also echoing in my Soul) via these lyrics:

Did you see them in the river?
They were there to wave to you
Could you tell that the empty quivered
Brown skinned Indian on the banks
That were crowded and narrow
Held a broken arrow?

Today, I shall be singing freedom songs all the way from Columbus Circle to Shorakapok. We will be holding a water ceremony, after a stop at the Indian Caves of Inwood Hill. Stay tuned for my report. Rocking my mocs on out the door…! >>>>>>>—–))—>

Hope y’all are enjoying #NativeAmericanHeritageMonth & have a grand ole weekend – A’ho*

#KandiaCrazyHorse #NativeAmericana #artist #activist #CactusRose #band #IStandWithStandingRock #MniWiconi #ProtectTheSacred #NoDAPL #BlackSnakeKillas #HonorTheTreaties #StopSpectra NO #AlgonquinPipeline #rockyourmocs #VOTE!

 


Throwback Thursday: Of race, Country music & the 2016 CMAs

Well, since my sentiments about the state of Nashville’s country music establishment on and beyond Music Row tend to be unwelcome even amongst my former circle of rock critic colleagues, I wasn’t going to weigh in on this year’s CMA Awards, the 50th edition, which I did happen to watch. However, in my absence offline, an apparent controversy has been brewing on the subject of race and country music, due to the much ballyhooed performance of “Daddy Lessons” by Texan artists Beyonce (pop, urban) & the Dixie Chicks (once modern country royalty). Although I don’t wish to gas up TMZ, the site is one of the prominent places that has cited the CMA site & social media having scrubbed their entire online platform of images/references to said Beyonce-Dixie Chicks summit in response to copious racist reactions to the awards show appearance on Twitter & elsewhere: VIEW HERE

Now, I am no Beyonce fan nor “stan;” and I have no fear of the BeyHive in stating this — my backpages as a longtime music critic & editor for over 20 years clearly delineates where I stand on her & chronicles many of my thoughts on the history and contemporary scene of black artists who create in the overlapping country & western, bluegrass, hillbilly, Cajun, prewar stringband, mountain music, Americana, and roots genres. I also happen to have served on a panel @ CUNY Graduate Center in NYC earlier this year, holding forth on Black Banjo, my role in the country & western genre as an artist and touring fan, the Affrilachia movement, and the recent publication of scholar/banjoist Laurent Dubois’ book THE BANJO – America’s African Instrument. Talked about the fictional Darlings of The Andy Griffith Show a.k.a. The Dillards, and how Doug Dillard became my favorite banjo player and influence via Dillard & Clark. And I am a veteran of my friend Greg Mays’ annual Harlem Hoedown, where I always square dance as I learned as a babychile in rural Virginia to the sounds of my dear friends the Ebony Hillbillies. I was a “primordial” adopter, supporter, and then critic of the Americana scene in general, way back into the 1980s, and have watched successive waves of cowpunk, neo-southern rock, alt-country, y’allternative, insurgent country, progressive country, Ameripolitan, indie folk, etc etc come to consciousness and come to market; and always pondered about the African presence in all of these scenes and on the record business side up to this day where  Americana is now on the Billboard chart — the year’s big news in music. The pop/urban mix with country as a featured event of the CMA Awards has obvious precedent; many of my former colleagues are still talking about Justin Timberlake (who’s in the process of going Country & recording a country album) performing with Chris Stapleton last year. Yet this year’s turn, especially at the 50 marker, is notable less due to Beyonce but rather down to the fact that at a time when Bro-Country is waning, Taylor Swift has defected for pop, and nigh every classic arena rocker has cut a country record/moved to Nashville to revive flagging careers, country (&western) still has a glaring race problem and its related business wing cannot develop or sustain virtually any artists of color not named Darius Rucker. Opening the show with a too-brief turn by black country icon Charley Pride underscored this issue; the fact that the CMAs chose to have Stapleton and Dwight Yoakam — great & skilled though they are — pay homage to Georgia R&B hero & country maverick Ray Charles, to illustrate the S-O-U-L of country music instead of even summoning their own recent hitmaker Mickey Guyton or Americana star Rhiannon Giddens who was present at the awards (backing up Eric Church) showed exactly where they stand. The citing of SOUL, as it always has been, is code for the blackness in twang; the modern country (&western) scene and business has never quite progressed beyond the early 20th century moment of Race Records and segregating sounds by racial and regional provenance. And all hell broke loose on social media yesterday and today, as country music fans of the dominant culture rushed to show their displeasure with the inclusion of a black (pop) artist on the CMAs, accusing her of trying to take away country music from whites who supposedly have eternal ownership of the genre — despite the patent & well-documented African and Native American origins of country besides the Scotch-Irish contribution. I myself am a Native Americana / cosmic country & western artist in no small part because I am of Native American, African, and Scottish descent, a rich hybrid made in America’s Southeast from which the Source of the music eternally springs. I am also just a fanatic of bluegrass, mountain music, and cowboy tunes — and I claim as much ownership of that Creation as anybody. Keen observers have known for a spell that one of the most vibrant bluegrass scenes in the world is in Japan, and that events and festivals like the Black Banjo Gathering in Boone, North Carolina, have been yielding a younger, new wave of twang talent of African descent.

14925357_541294672731117_8531302700367219900_n (My shot of superstar country artist #BradPaisley & #CharleyPride opening #CMAAwards50 – credit: @kandiacrazyhorse Instagram)

Here’s what I posted in response to the show on Wednesday night, while live-blogging portions of it on Facebook & Instagram: “I am watching #CMAAwards50 & pondering deeply about the African & Native American roots of the genre; plus how far Nashville & Music Row still have to go in honoring these legacies. Wonderful to see my hero #CharleyPride open the show with my fellow Virginian #BradPaisley (Yep, I’m a fan, despite the unwieldy “Accidental Racist;” I blame LL Cool J); but still tinged with some sadness and confusion. Someday, #NativeAmericana & #BlackHillbilly will take their proper place. For now, enjoying seeing all the 1960s & ’70s country women I grew up on that made me aspire to sing in twang, besides my Native American triumvirate (Buffy Sainte-Marie, Karen Dalton, Rita Coolidge): Loretta Lynn, Tanya Tucker, Barbara Mandrell (!!)…& Reba…Waiting for Dolly [Parton], of course…! #KandiaCrazyHorse #NativeAmericana #mountainmusic #AppalachiaSounds from #Virginia #countrysinger #southernbelle #countrygirlsdoitbetter #AffrilachianNation”

Quibbling about how pop or authentically country any given act is — that’s something I leave to the working music critics. Certainly, the Dixie Chicks’ reappearance on the CMAs was controversial due to their past & interesting to have that baggage reexamined so close to the presidential election. Some staunch country loyalists were always going to react negatively to that. Yet the main issue — just as a decade-plus battle for Country Music’s soul reaches its zenith (see the site Saving Country Music for consistent dispatches on this topic) — is that country (&western…& Americana) is the last frontier for artists of African descent — whether that be Virginia-bred me, Kandia Crazy Horse & my new band Cactus Rose, or Kenya’s leading country singer, Sir Elvis Otieno — and the country establishment and much of the genre’s audience still views it as their own private safe haven away from the predations of urban music/culture/style and technology-tied modernity. It is interesting that Bro-Country, which would often feature the likes of Florida-Georgia Line duetting with Nelly and Blake Shelton attempting to rap, is fading just as there is a rise and music industry push behind a range of country and Americana acts that claim rock and other musics as influences or stylistically and attitude-wise invoke 1970s Outlaw Country: Kacey Musgraves, Sturgill Simpson, Margo Price, Sam Outlaw, etc…and are hailed for restoring “true” country sonics and values […with nods to their precursors Shooter Jennings and Hank III (both of whom I often loved & covered as a critic in the past)]. Yet there’s still apparently little to no room under the twang tent for we country artists of color, cosmic or otherwise.

Hey, I love Tompall Glaser and Clarence White & Willie Nelson as much as any other ’70s babe of my generation; and as a singer-songwriter, I am clearly influenced by my most beloved Gene Clark and the Buffalo Springfield — hear my paeans “Quartz Hill” & “Americana” “Tula” (en espanol) & “Scene & Herd” etc — and the less-celebrated Ladies of the Canyon like Judee Sill, Claudia Lennear, and Essra Mohawk. Neil Young, I see you (& thanks for singing for Standing Rock). I spent the early 1970s toddling behind my dear lil’ Pamunkey mother from the Shenandoah Valley at the bluegrass tents of Folklife Festival, snuck viewings of my favorite show Hee-Haw (’twas grand to see Roy Clark pickin’ an’ grinnin’ on the CMA, yep?), dreaming of growing up to play the Grand Ole Opry (at the Mother Church Ryman, of course) just like Darius Rucker; he ain’t the only one! Sweetheart Of the Rodeo by The Byrds & The Notorious Byrd Brothers were always & still are major for me. I am talented, and I am well-versed in the breadth and depth of country; I am extremely proud of my southern roots. All we want, after so many moons of flying the freak-flag high for Black Hillbilly & Native Americana, is to have a permanent non-conditional seat at the (farm) table, per Mrs. Knowles-Carter’s great sister Solange.

As I go prepare to march for Standing Rock again this weekend through all of Manhattan, please note that the date for the Jalopy Theater water protectors benefit in Brooklyn has been changed to 25 November. Follow the new Cactus Rose band Instagram account at @cactusroselovesyou  for more details as they are announced. I continue my personal commitment to ongoing activism on behalf of the Standing Rock water protectors, and the band & I are very much looking forward to playing with our friends from the Brooklyn Country scene! I expect this to be one of my treasured highlights of #NativeAmericanHeritageMonth 2016

A’ho*

 

 


Kandia Crazy Horse x Jimi Hendrix: Native American Heritage Month

Hope yer gettin’ over The Hump well this week, Sisters & Brothers! For those that don’t know: November is #NativeAmericanHeritageMonth

Here in New York City, I will be doing lots of actions & activities to honor that. Among them, I am doing a prayerful march through the entirety of Manhattan Island this Saturday with my friends of the Eagle & Condor Community Center (in Queens), from the National Museum of the American Indian @ Bowling Green (the southernmost tip of Manhattan) all the way to Shorakapok (the Indian Caves @ Inwood Hill on the Spuyten Duyvil). The march goes from 10 am until 6pm. I will also be rolling through the Black Farmers Conference in Harlem this weekend.

This month, I will be performing at another benefit for Standing Rock, on November 25 @ 9pm, this time at the City’s premiere venue for hillbilly/old-timey/bluegrass/roots music — the Jalopy Theater in Brooklyn. I have been trying to work it out to play at Jalopy for a long time, so happy to finally do so for a great, beautiful cause so near and dear to my Native heart. This will also be the proper debut of my new Native Americana / twang band Cactus Rose. More details TBA!

img_2989 (Kandia Crazy Horse @ Electric Lady Studios in vintage fringed buckskin jacket, Greenwich Village NYC, by Camara Dia Holloway)

Made my #NativeAmericanHeritageMonth pilgrimage to #ElectricLadyStudios in the Village, honoring #JimiHendrix’ Native #Tsalagi roots. Received some purple & feathered energy from Jimi that I will be unleashing when I perform @ the Standing Rock benefit @ Jalopy – A’ho*

#Jimi Hendrix #AniYunwiya #KandiaCrazyHorse x #CactusRose #Pamunkey #Afrohippies #CherokeeMist #TaharqaAleem #Ibeji #TheAleems #TwinsSevenSeven #NativeAmericana #ICanHearAtlantisFullOfCheer #MniWiconi #ElectricLadies #CosmicAmericanMusic


Hawk Medicine in Hudson Canyon

We three Native American sisters & NYC artists, representing three Nations & both the Upper and Deep South, had a lovely, impromptu gathering down by the riverside of Hamilton Heights yesterday before the rains swept along the Hudson River. Surrounded by several circling & swooping hawks, we began a powerful conjure straight out of Hudson Canyon — look forward to us being involved with the recently-discovered Lenape burial mounds at 125th Street in Harlem, among other projects – A’ho* #KandiaCrazyHorse #TessReese #KimberlyRobison / #Karline #HawkMedicine

img_1229 (Kandia Crazy Horse on the Hudson River, view of the Palisades, by Tess Reese, Choctaw)

img_1233 (Karline x Kandia x Tess, by Kandia Crazy Horse)

img_1231 (Stormy Sunday in Hudson Canyon by Kandia Crazy Horse)


Chelsea Girls: Kandia Crazy Horse x Carrie Mae Weems x Claudia Lennear in NYC

Here’s a photo shot by one of the Jack Shainman Gallery’s gallerinas from yesterday: visual artist Carrie Mae Weems & (me) sonic artist Kandia Crazy Horse @ their space on W. 20th Street in Chelsea, for the opening of her new exhibits (see description below). Carrie & I used to share workspace way back many moons ago when I attended Hampshire College & she was teaching there. Nice to see how far our respective Creation has come & find now in her a fellow fan of my Afrohippie & bluegrass singer-songwriter heroine/inspiration Claudia Lennear — two vintage yet manipulated images, “Blue Notes,” of Claudia are featured in the show.

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Via Jack Shainman Gallery PR: “Jack Shainman Gallery is pleased to announce Carrie Mae Weems’ first solo exhibition in New York City since the historic retrospective at the Guggenheim in 2014. Her influential career continues to address the rifts caused by race, class, and gender via imagery and text that is both sharply direct and beautifully poetic. This two-part exhibition highlights her recent investigations into performance, entertainment, and history.
Blue Notes (2014) and An Essay on Equivalents, See… (2011-2015) highlight figures on the periphery, bringing them front and center. The photographic series are paired with the enigmatic video installation Lincoln, Lonnie, and Me (2012), originally commissioned by the Mattress Factory, Pittsburgh, PA. The work rests on a 19th century optical trick, “Pepper’s ghost,” in which a strategically lit pane of glass reflects people and objects as dematerialized versions on stage. Weems employs this phantasmagoria to examine her own relationship to history and two individuals in particular: the 16th president of the United States and artist/activist Lonnie Graham, her sometime collaborator. Here history becomes theater, a succession of ghostly projections that draw us in to the strange ways in which representation seduces and manipulates, and how some are left out of history altogether, their apparitions left to haunt the expanses of Western culture.
The theme of performance continues with Scenes & Take (2016). Weems dons her black-robed muse persona—recognizable from the now iconic Roaming and Museums series—to stand before empty stage sets, documenting these encounters with vivid color photographs. The contemplative pose of the artist raises issues of who gets to be shown on screen; what do the fictional characters in television, theater, cinema, and visual art say about the cultural climate in which they are created, and how do these representations shift across time?
All the Boys (2016) responds to the recent killings of young African American men and suggests a darker reality of identity construction. Portraits of black men in hooded sweatshirts are matched with text panels. The written descriptions evoke police reports, underscoring how a demographic is all-too-often targeted and presumed guilty by a system plagued with prejudice. […]”

img_1183 (Shot of “Blue Note – Claudia Lennear” by Kandia Crazy Horse – Originally from an early 1970s Playboy feature on the Laurel Canyon singer-songwriter)

Claudia Lennear had famous affairs with Mick Jagger of the Rolling Stones, when she toured with them in 1969 as an Ikette (part of the Ike & Tina Turner Revue), & later with David Bowie during his LA burnout/Sigma Sound Soul phase in Philly – the resulting songs “Brown Sugar,” Claudia’s response “Not At All,” & Bowie’s “Lady Grinning Soul.” I am personally far more interested in her singing with my most beloved Master of Space & Time Leon Russell (as part of the Shelter People) & Claudia Lennear’s attempt to have a bluegrass trio in the early ’70s with her fellow Mad Dogs & Englishmen Tour veteran singers Donna Washburn (once a member of my most beloved/influence Dillard & Clark) & Donna Weiss (later a songwriter of some note; she had songs covered by, among others, another Mad Dogs star & my heroine/influence as a Native Americana artist, Rita Coolidge – I just recently filed an essay about Ms. Coolidge & this lore, which will be published next year in a tome on Women Of Country). A friend & Southern sonic forebear of mine, the late Memphis pianist/producer icon Jim Dickinson (aka James Luther Dickinson of “Dixie-Fried” & “White Horses”+ producing Big Star’s Third fame) promised to give me a photo of their bluegrass trio, as he was tied to the project, but then he walked on. Still hope to see the images someday! Of course, Claudia is active again, post- Twenty Feet From Stardom rediscovery, and leading two bands — one bluegrass — today in Los Angeles & recording an album David Bowie had sought her out to collaborate on before his passing. Looking forward to catching ’em live whenever I next make it to the Coast. I always do enjoy spending time in LA, amongst the newer Laurel Canyon & Topanga Canyon rock ‘n roll hippie glitterati — although most of them are East Side gentrifiers, particularly in Echo Park & Downtown (with satellites in Eagle Rock & Mt. Washington & out in the environs of Joshua Tree & Bolinas & Nevada City); this is why I always keep dear Odetta (who my late Virginian Native American mother Anne Marie wished for me to model & pick guitar in her image) & Claudia Lennear as my history-making twang foremamas & legendary Ladies of the Canyon.

I still plan to do a major project around the sound+vision of Claudia Lennear, Leon Russell, Rita Coolidge & their mutual benefactors, Delaney and Bonnie (& their fabulous Friends) during 2017 – Stay tuned!

img_1185 (Two #BlackRockCoalition & #AfroPunk veteran chroniclers & rock-n-rollers outside Jack Shainman Gallery, Chelsea: #KandiaCrazyHorse #NativeAmericana #CosmicCountry #singersongwriter & #RobFields #BoldAsLove #blogger & festival founder – #FollowMe on #Instagram: @kandiacrazyhorse)

img_1196 (LADY OF (HUDSON) CANYON: After Carrie’s opening, upon The Highline in Chelsea, by a fan – More NYC shows upcoming! #LadiesOfTheCanyon)

 

 

 

 


Project Americana: The American Slave Coast: Live in Amsterdam News

Here’s the first press for our #ProjectAmericana undertaking tonight in Manhattan at Symphony Space — from Harlem’s own Amsterdam News THE AMERICAN SLAVE COAST: LIVE in NYC

Enjoy your TGIF & see y’all out tonight! A’ho, #KandiaCrazyHorse

20161015_165708_1476644650552 (Kandia Crazy Horse & DJ Soul Punk aka Teddy K in East Harlem with effigy of Frida Kahlo, #fbf)


Kandia Crazy Horse x David Archambault II #mniwiconi #NoDAPL #StandingRockSiouxTribe

Between rehearsals for #ProjectAmericana & getting to assorted meetings around NYC, this has been a busy, heady week. Amongst the events I am glad I was able to make time for: Indigenous Forum @ Columbia University. The best part of this was hearing from some of the Oceti Sakowin youth who ran from Cannonball, North Dakota to Washington DC to raise awareness about the Dakota Access Pipeline & related resistance, which I have been engaged in since the dawn of August. Their emotional pleas underscored why we need to keep up our prayers and support for the water protectors at Standing Rock.

img_1063 (David Archambault II & Kandia Crazy Horse @ Columbia University, NYC)

It was also an honor to hear Standing Rock Sioux Tribe chairman Dave Archambault II speak, including about the long history of predations by the U.S. government & settlers on his Oyate’s sovereign territory and subsequent environmental threats to their lands; and then to get to speak to him briefly about my musical endeavors in Indian Country, as well as specifically on behalf of the water protectors of Standing Rock. Right now, we are watching the live feeds of leaders like LaDonna Allard & others, waiting to see what sadly is happening of the moment in North Dakota. Yet, I still have another musical benefit for Standing Rock in development (in NYC) & am committed to sing in support wherever, whenever may be called. A’ho*

#mniwiconi #NoDAPL #ProtectTheSacred #LoveWaterNotOil #RezpectOurWater #StandingInSolidarityWithStandingRock


Throwback Thursday: Kandia Crazy Horse x Nona Hendryx x Lezlie Harrison

A portrait of We Three – Bold Soul Sisters @ #ProjectAmericana rehearsal last night in Gramercy (Photo by Ned Sublette). We look forward to seeing you out at our performance — The American Slave Coast: Live – at Symphony Space in Manhattan this Friday night!

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Kandia Crazy Horse live in Project Americana @ Symphony Space NYC on October 28

Thanks to my dear friends Ned Sublette & Constance Sublette, I will be performing later this month at an event related to their weighty tome about the domestic, Southeastern slave trade in America during the antebellum era: THE AMERICAN SLAVE COAST

Their book has won the 2016 American Book Award, and we are delighted to help illuminate the dark history about the networks of trading Virginia Africans into the Deep South, the roles of American Presidents Thomas Jefferson & Andrew Jackson aka “Sharp Knife” (known by we of Indian Country as a bane to Native Americans yet most are hardly aware of his ownership of enslaved Africans) in slave trading, and also bringing forth the narratives of the Africans brought to U.S. shores themselves — amongst my portion of performance, I shall be reading a “Letter From Virginia,” to represent ye olde home state.

This event of Project Americana will be at the Peter Jay Sharp Theatre of Symphony Space in Manhattan, 28 October @ 8pm. Right now, a limited amount of $10 tickets are available online: PROJECT AMERICANA – THE AMERICAN SLAVE COAST: LIVE

Hope to see y’all out! Here’s the gallery of outlaw artists who I will be performing with:

kandiacrazyhorsephotobycamaradiaholloway (Kandia Crazy Horse by Camara Dia Holloway)

nonahendryx (Nona Hendryx (of Labelle))

carlhancockrux

Carl Hancock Rux

 

constancesublettepublicityshotphotobynedsublette

Constance Sublette

donaldharrison

New Orleans bandleader/composer Donald Harrison 

jonathandemmephotobybobvergara

Jonathan Demme

lezlieharrison

Lezlie Harrison

nedsublettepublicityshotphotobyconstancesublette

Ned Sublette by Constance Sublette