Posts tagged “LeonRussell

Kandia Crazy Horse x Thanksgiving Week #StandingRock actions & benefit concert 11/25 in NYC

Howdy y’all / Osiyo skidoi, all my relations! I have not been able to report back much nor update this site, due to all the many #StandingRock actions & Native American circle pre-thanksgiving ceremonies & events I had over this past weekend & some. Among other events, I sang some of my Native Americana music @ the opening of Urban Native exhibit Cave To The Stars – Urban Natives Unrecognized @ Bread & Roses Project Gallery in Midtown last Thursday; I did #HonoringOurAncestors with the central Harlem Native circle on Saturday, followed by the Thunderbird American Indian Benefit Auction that night on the Upper East Side. And still working on my #LeonRussell memorial article, even as I rehearse for this Friday’s Benefit For Water Protectors concert in Brooklyn @ Jalopy Theater. Ho wa, will share some pix of all this activity by-and-by, but now am learning new songs & also preparing for tomorrow’s Standing Rock action in Midtown – if you somehow missed the horrible news of the chemical weaponry, water cannons & rubber bullets unleashed on the Standing Rock water protectors Sunday night in sub-freezing temperatures & its fallout, now is the time to become aware & join us in these support actions & by donating to the camps. I am receiving many communications suddenly from friends who have been relatively apathetic pre-election & several fellow country / Americana artists now querying me about the Standing Rock resistance; so it will be interesting to see how this continues to unfold & whether President “Walking Eagle” Obama will finally do something definitive in response to these unconscionable attacks on my prayerful relations out West. Still enjoying #NativeAmericanHeritageMonth somewhat — despite the unceasing musical losses: sadly, #SharonJones has walked on, claimed by the same cancer that took my dear mother. This has cast a further pall on the holiday week. A’ho*

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Art for tomorrow’s #StandingRock action, by my brotha-in-struggle Kyle Goen #kyledidthis

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& a lil’ lighthearted #ThrowbackTuesday snap by #NedSublette of me & my brothas Teddy K aka DJ Soul Punk & Cap’n #KirkDouglas of #TheRoots (the last time I got to see Sharon Jones & the Dap-Kings live was @ The Roots Picnic in Philly) @ my live #BlackHillbilly #countryandwestern music series #TheHarlemHonkytonk #SaddleUp!

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The Guardian UK on 300 WATER PROTECTORS INJURED AT STANDING ROCK report

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Roll Away The Stone: Leon Russell gone to Glory

The news that Tulsa Mafia, rock, boogie, country & western, Funk, acid gospeldelic, Americana & New Orleans shuffle-master icon Leon Russell has walked on is far too immense for an artist & American of my freaky-deak, Dixie-fried orbit to comment about on the fly. So, look forward to my scribing & dialogues about how the loss of Leon is affecting me later this week. For now, I am just back from the prayerful march for #StandingRock in Manhattan with the Ramapough Lenape clan mothers & reflecting deeply on what has been a chaotic, sorrowful week in the music world & across Turtle Island. Of course, with a lil’ “A Song For You” on rotation – A’ho*

I’ve been so many places in my life and time
I’ve sung a lot of songs, I’ve made some bad rhymes
I’ve acted out my life in stages, with ten thousand people watching
But we’re alone now I’m singing this song for you

 


Chelsea Girls: Kandia Crazy Horse x Carrie Mae Weems x Claudia Lennear in NYC

Here’s a photo shot by one of the Jack Shainman Gallery’s gallerinas from yesterday: visual artist Carrie Mae Weems & (me) sonic artist Kandia Crazy Horse @ their space on W. 20th Street in Chelsea, for the opening of her new exhibits (see description below). Carrie & I used to share workspace way back many moons ago when I attended Hampshire College & she was teaching there. Nice to see how far our respective Creation has come & find now in her a fellow fan of my Afrohippie & bluegrass singer-songwriter heroine/inspiration Claudia Lennear — two vintage yet manipulated images, “Blue Notes,” of Claudia are featured in the show.

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Via Jack Shainman Gallery PR: “Jack Shainman Gallery is pleased to announce Carrie Mae Weems’ first solo exhibition in New York City since the historic retrospective at the Guggenheim in 2014. Her influential career continues to address the rifts caused by race, class, and gender via imagery and text that is both sharply direct and beautifully poetic. This two-part exhibition highlights her recent investigations into performance, entertainment, and history.
Blue Notes (2014) and An Essay on Equivalents, See… (2011-2015) highlight figures on the periphery, bringing them front and center. The photographic series are paired with the enigmatic video installation Lincoln, Lonnie, and Me (2012), originally commissioned by the Mattress Factory, Pittsburgh, PA. The work rests on a 19th century optical trick, “Pepper’s ghost,” in which a strategically lit pane of glass reflects people and objects as dematerialized versions on stage. Weems employs this phantasmagoria to examine her own relationship to history and two individuals in particular: the 16th president of the United States and artist/activist Lonnie Graham, her sometime collaborator. Here history becomes theater, a succession of ghostly projections that draw us in to the strange ways in which representation seduces and manipulates, and how some are left out of history altogether, their apparitions left to haunt the expanses of Western culture.
The theme of performance continues with Scenes & Take (2016). Weems dons her black-robed muse persona—recognizable from the now iconic Roaming and Museums series—to stand before empty stage sets, documenting these encounters with vivid color photographs. The contemplative pose of the artist raises issues of who gets to be shown on screen; what do the fictional characters in television, theater, cinema, and visual art say about the cultural climate in which they are created, and how do these representations shift across time?
All the Boys (2016) responds to the recent killings of young African American men and suggests a darker reality of identity construction. Portraits of black men in hooded sweatshirts are matched with text panels. The written descriptions evoke police reports, underscoring how a demographic is all-too-often targeted and presumed guilty by a system plagued with prejudice. […]”

img_1183 (Shot of “Blue Note – Claudia Lennear” by Kandia Crazy Horse – Originally from an early 1970s Playboy feature on the Laurel Canyon singer-songwriter)

Claudia Lennear had famous affairs with Mick Jagger of the Rolling Stones, when she toured with them in 1969 as an Ikette (part of the Ike & Tina Turner Revue), & later with David Bowie during his LA burnout/Sigma Sound Soul phase in Philly – the resulting songs “Brown Sugar,” Claudia’s response “Not At All,” & Bowie’s “Lady Grinning Soul.” I am personally far more interested in her singing with my most beloved Master of Space & Time Leon Russell (as part of the Shelter People) & Claudia Lennear’s attempt to have a bluegrass trio in the early ’70s with her fellow Mad Dogs & Englishmen Tour veteran singers Donna Washburn (once a member of my most beloved/influence Dillard & Clark) & Donna Weiss (later a songwriter of some note; she had songs covered by, among others, another Mad Dogs star & my heroine/influence as a Native Americana artist, Rita Coolidge – I just recently filed an essay about Ms. Coolidge & this lore, which will be published next year in a tome on Women Of Country). A friend & Southern sonic forebear of mine, the late Memphis pianist/producer icon Jim Dickinson (aka James Luther Dickinson of “Dixie-Fried” & “White Horses”+ producing Big Star’s Third fame) promised to give me a photo of their bluegrass trio, as he was tied to the project, but then he walked on. Still hope to see the images someday! Of course, Claudia is active again, post- Twenty Feet From Stardom rediscovery, and leading two bands — one bluegrass — today in Los Angeles & recording an album David Bowie had sought her out to collaborate on before his passing. Looking forward to catching ’em live whenever I next make it to the Coast. I always do enjoy spending time in LA, amongst the newer Laurel Canyon & Topanga Canyon rock ‘n roll hippie glitterati — although most of them are East Side gentrifiers, particularly in Echo Park & Downtown (with satellites in Eagle Rock & Mt. Washington & out in the environs of Joshua Tree & Bolinas & Nevada City); this is why I always keep dear Odetta (who my late Virginian Native American mother Anne Marie wished for me to model & pick guitar in her image) & Claudia Lennear as my history-making twang foremamas & legendary Ladies of the Canyon.

I still plan to do a major project around the sound+vision of Claudia Lennear, Leon Russell, Rita Coolidge & their mutual benefactors, Delaney and Bonnie (& their fabulous Friends) during 2017 – Stay tuned!

img_1185 (Two #BlackRockCoalition & #AfroPunk veteran chroniclers & rock-n-rollers outside Jack Shainman Gallery, Chelsea: #KandiaCrazyHorse #NativeAmericana #CosmicCountry #singersongwriter & #RobFields #BoldAsLove #blogger & festival founder – #FollowMe on #Instagram: @kandiacrazyhorse)

img_1196 (LADY OF (HUDSON) CANYON: After Carrie’s opening, upon The Highline in Chelsea, by a fan – More NYC shows upcoming! #LadiesOfTheCanyon)