Flashback Friday: Kandia Crazy Horse x Jonathan Demme @ Saddle Up Saturdays
The Myth of the (Black) West: Jonathan Demme & I screening/discussing “Run Of The Arrow” & its director Samuel Fuller, the African & Native presence in the genre of westerns, the Civil War, the New South, Going Native, the legacies of frontier fakery extended to current “Mountain Men” type “reality” television & western individuals like Rachel Dolezal (who most forget forged a “Little Tipi-on-the-Prairie” narrative prior to deciding to become a black woman) + more last weekend in Pleasantville, NY @ the Jacob Burns Film Center. I was honored to partake in the first post-screening program & hope to perhaps return to delve into acid westerns before the end of the series.
(photos courtesy of Jacob Burns Film Center)
#SaddleUpSaturdays #HarlemOnThePrairie #FlashbackFriday
Reflecting on the West & complex visions of America at this inauguration time, while a coalition of black & indigenous activists are massing elsewhere in my Uptown NYC area @ the Harriet Tubman monument. Perhaps fittingly, I am featured today on Swirl Nation, a blog focused on multiracial & multiethnic lives in this land: Kandia Crazy Horse on SwirlNation
With what’s goin’ down on the social & political scenes, I also reflect on my past as a professional journalist & mourn the New Year loss of two of my former colleagues @ NYC’s once-bohemian, alternative newsweekly The Village Voice. I just learned of reporter Wayne Barrett’s (a notable Donald Trump chronicler) passing this afternoon & have still been trying to reckon with the legacy of Nat Hentoff as a famed jazz critic who partly inspired my joining the field of rock criticism. We shall be missing such voices in the media even more during the new presidency in America. May Nat & Wayne rest in peace. – A’ho*
Jazz Critic / my former Village Voice colleague Nat Hentoff
NYT on my former Village Voice newsroom colleague Wayne Barrett
HAPPY NEW YEAR & #NoDAPL 2017!
Happy New Year, y’all & best wishes as the seasons unfold. I hope you had a grand ole holiday time; for my part, I finally got some much needed rest & a spell to rotate some albums of 2016 — especially country releases — that I never got to hear during the course of last year. We of Cactus Rose are taking some time to conjure, connect culturally & write songs during January & then we will be doing two shows on the Brooklyn Country scene in February. I will be making my first live appearances of 2017 in upstate New York & in Connecticut — the latter being a major event I am not yet at liberty to share details about. Stay tuned to this page &
…In the meanwhile: hope can rope yer hearts to join Jonathan Demme & myself @ the Jacob Burns Film Center in Pleasantville, NY next Saturday for his western movies screening series / live event “Saddle Up Saturdays.” I will serve as the guest artist / interlocutor for the presentation of Dixie lore & Lakota-themed Run Of The Arrow starring Rod Steiger, Brian Keith & Charles Bronson — followed by a discussion + Q&A. The screening will be preceded by Jonathan’s Standing Rock documentary: Protection Not Protest: The People of Standing Rock
Neither I nor my fellow bandmates in Cactus Rose, Jeff & Kimberly/KAR, have forgotten about Standing Rock or Split Rock, despite the switch in focus to Aleppo or the trend hoppers moving on to the next new thing; and we remain committed to helping stop all the black snakes threatening Turtle Island. So this event will be a good opportunity to come and hear about the Split Rock actions & other causes of Indian Country as well as how it was for me to grow up Indian loving the western genre & cowboy music in the Vietnam Era when antiheroes dominated horse operas while there was a revival of Native American consciousness in the real world beyond celluloid. A’ho*
#IStandWithStandingRock
Tix & more information available here: RUN OF THE ARROW w/ KANDIA CRAZY HORSE 1/14 @ noon JACOB BURNS FILM CENTER
“Manhattan Given Back To Indians…” & Benny Andrews’ Bicentennial Blues & Frohawk Two Feathers’ Frenglish New York
Given that I was out all day yesterday — primarily attending an uptown art salon in Lower Harlem, where I sang — I completely missed this odd bit of NYC local news: MANHATTAN GIVEN BACK TO INDIANS (well at least a part of it)
Although I have some close ties with the Ramapough Lunaape and am acquainted with Chief Dwaine Perry, I have not to my knowledge crossed paths with the New York Post article’s cited chief Anthony Jay Van Dunk nor have I met the cited son of artist Louise Bourgeois — I have been a fleeting fan of hers due to her longevity/continuing to create but expertise on her life & oeuvre lies with my twin sister, the art historian — Jean-Louis Goldwater Bourgeois. I don’t know quite what to make of this transaction, but if the ultimate result is a patahmaniikan (prayer house) then fine. I did not get to participate in the Ramapough winter ceremony this past Saturday out @ Split Rock, for it was cancelled due to snow/inclement weather; so I have not heard any direct commentary from the Source, as it were.
The article says Bourgeois fils has been a Standing Rock benefactor, yet I was more interested to learn of other Natives’ participation in the Occupy Movement for in all the months I was involved in it, particularly Occupy Music, I never met any. Now, if only this M. Bourgeois would get behind the fight to establish Indigenous Peoples Day in NYC. Overall, it was just a little odd piece of news to be sent to me by other Urban Native friends, at the end of the year when Standing Rock has become such a Hollywood trendy Cause (Elvis’ grand baby appearing at hyped LA benefits) & indigenous chic itself has been atomizing err’where — especially on the backs of musical artists with no Native roots including hip-hop ones & judges of The Voice like Alicia Keys — but I am still encountering folks who never heard of what’s going on with the Dakota Access Pipeline (or any other of this land’s black snakes). It’s weird to be revisiting the apocryphal sale of Manhattan by the Lenape to the Dutch, even as our Tri-State news is dominated by news of president-elect Trump’s vast real estate holdings here, the need to barricade Trump Tower in Midtown, and the ongoing discussion of the City as Trump’s fiefdom. I hope the Ramapough do not get targeted by limousine liberals, due to their local residence. Meantime, instead of hashtagging activism, focus & funds need to be directed to the many Native protectors of Standing Rock who are now facing felonies / about to have their cases trafficked through the courts in North Dakota — and there’s inadequate legal representation for most. Some of us staying woke despite the narcotic of holiday cheer.
#IStandWithSplitRock
(Chief Van Dunk, Ramapough, & art patron/architectural historian Bourgeois via New York Post)
Anyroad, I believe this story jumped out at me due to a long conversation about Native American roots out of the Mid-Atlantic and “outsider art” creation we had on Friday afternoon in Chelsea, on the verge of a gallery crawl through the ‘hood to see Titus Kaphar’s opening @ Jack Shainman & the great Bicentennial Series show of one of my favorite painters/fellow Georgian Benny Andrews @ Michael Rosenfeld Gallery. Some strange confluence out of the dialogue and Early Colonial (Kaphar) plus Bicentennial/Jim Crow reflection (Andrews) stirred things up…& made me recall the peculiar but beautiful work of Frohawk Two Feathers who was de vogue a few years back, with prominent Chelsea gallery representation & who I have never met but this particular project is extremely similar to my inner imaginorium/worldview – although he is younger than I, born (interestingly) in the year of the American Bicentennial, 1976: Heartbreaking and shit, but that’s the globe. The Battle of Manhattan
(By Frohawk Two Feathers)
Chicago-born, LA-based Frohawk Two Feathers is the alias of Afro-Native artist Umar Rashid (who also does vanguard and alt-hip-hop music under the monikers Kent Cyclone & Tha Grimm Teachaz); and the 2014 culmination of a series of his work blending Afrofuturism and fact / fiction of early settler colonialism in the Americas caught my notice for decades prior to my arrival in New York City — in part due to my Native American great aunt Helena’s residence in Harlem since the 1930s — I had been an (alternative) history buff preoccupied with the lore of the Ramapough, Jacks-and-Whites / other isolates of the area; the apocryphal sale of Manahata and the Algonquin villages of the landmass; and the religious/occult traditions arising from the upstate Burned-Over District. [Which also drew my interest to the now-defunct Sundance network show The Red Road, which focused on Ramapough, starring half-Hawaiian actor Jason Momoa who claims Native American & for which my cousin’s wife Marcey Tree-In-The-Wind served as a consultant.] Two Feathers’ work seemed to at least gloss similar concerns:
“Bonnie Prince Johnnie, flamboyant pharaoh of New York; Francesca, a.k.a. Tisiphone, Native American assassin; Maurits de Wolff, former slave and soldier extraordinaire; Akosua Van Der Zee, wrathful feminist and malicious schemer.
These are a few of the characters in a wildly original telling of the fictional Battle of Yonkers in 18th-century New York; their portraits and those of other tattooed warriors, misled rulers and vengeful women…
…[final] installment of “The American Proteus: An Invocation and the Wars Between the Rivers,” an alternative account of the colonization of northeastern North America that is both written and visual in form, epic in scope, and built around the imaginary Republic of Frengland (a combination of England, France and Ireland).”
There were paintings that were meta portraits or sometimes reminiscent of historical battles depicted on deerskins or echoing ledger art, mixed with art forms of ancient KMT & tipis on display as well. They were somewhat unnerving, for it was like an unknown Spirit had excavated my interior landscape & reproduced it for all eyes to see. And I will leave it at that for now, for there’s far more concerning this work that I wish to explore…A’ho*
(By Frohawk Two Feathers)
@ Split Rock Sweet Water Prayer Camp in the territory of the Ramapough Lunaape
#IStandWithSplitRock
Although Standing Rock has most captured the souls & minds of Indian Country during 2016, there are many black snakes afflicting Turtle Island — & I have been standing in solidarity with the Ramapough Lunaape water protectors of the Split Rock prayer camp in New Jersey that are trying to stop the Algonquin Pipeline project threatening the Hudson River & the surrounding lands of the Tri-State & New England. I & my band Cactus Rose have pledged to Ramapough Chief Dwaine Perry to be of support to Split Rock, as they hold the space & unite with other allied environmental and social justice groups of the region to stop this black snake. The news that Red Warrior Camp is leaving Standing Rock & withdrawing from the #NoDAPL fight there, even as they turn their energy & focus to other frontlines of Indian Country, has underscored the need for all of us pan-indigenous united folks to tend to the issues in our own backyards/home locales. Here’s some images from my visit to Split Rock this past weekend; all photos by me, except the 2 where I am pictured – by Hugo Kenzo
I will be addressing this activism tonight at my conversation/concert on protest music & activism @ Decolonize This Place in TriBeCa. Looking forward! A’ho*
( Kandia Crazy Horse & Jonathan Demme @ Split Rock Sweet Water Prayer Camp in the land of the Ramapough Lunaape, NJ – by Japanese-Brazilian filmmaker Hugo Kenzo )
( The donations for the Ramapough Lunaape of the camp from me/my band Cactus Rose, @ my flat before the trip )
( #DefendTheSacred in the tents @ Split Rock prayer camp )
( Kandia Crazy Horse, water protector & Indian Country activist, @ Split Rock Sweet Water Prayer Camp in NJ – by Hugo Kenzo )
Rebel Music In The Hour Of Chaos 12/12: On the State of protest music & activism in 2016 (final poster) #NoDAPL #BlackPower50 #IStandWithSplitRock
Beautiful poster art in my favorite color, by our brother-in-struggle Kyle Goen #kyledidthis
Rebel Music In The Hour Of Chaos: protest music concert @ Decolonize This Place NYC 12/12
“Rebel Music In The Hour Of Chaos:” Music emanates directly from my indigenous soul. Therefore, it immediately made sense for me to perform my music again this year as a soundtrack to our overlapping struggles – including #NoDAPL. Sounds, including freedom songs past & present, most powerfully link us together & amplify what’s transpiring from the actions in the streets. I was born in the Season of Marvin Gaye’s “What’s Going’ On,” an album that dominated my childhood as the strivings for Total Revolution continued past the 1960s societal upheaval; and the inspiration to become an artist-activist sprang from that era. I remain under the influence of rebel music from many artists and cultures – Please join us on Monday 12 December @ Decolonize This Place. 55 Walker St, TriBeCa NYC (Doors 8pm). when we will perform some songs of protest & be in conversation about our activism with Brotha Rob Fields (Bold As Love / Black Rock Coalition) – A’ho! Cactus Rose ft. Special Guests: Abiodun Oyewole (The Last Poets) & Mahina Movement
This may be our final show of 2016, so we really appreciate you coming through & all of your support during the many Standing Rock resistance actions – Wopila tanka, y’all
( Afro-Native sisterhood from Virginia: Kimberly Robison/KAR & Kandia Crazy Horse of Cactus Rose, Native Americana / cosmic country band, @ Decolonize This Place in TriBeCa this past Sunday for Black Art & Activism Now, curated by Dr. Camara Holloway & Tavia Nyong’o (Yale University) )
( preliminary poster for REBEL MUSIC IN THE HOUR OF CHAOS by artist Kyle Goen (Decolonize This Place/MTO Collective) #KyleDidThis )
( Jeff McLaughlin, lead guitarist / vocals of Cactus Rose )
( Kandia Crazy Horse with Lorena, Vaimoana & Gabby of Mahina Movement @ Decolonize This Place NYC )
( Kandia Crazy Horse & Abiodun Oyewole of The Last Poets – Cactus Rose Instagram: @cactusroselovesyou )
Kandia Crazy Horse x Democracy Now! 20 in NYC
Last night in Harlem, I attended the Democracy Now 20th anniversary celebration @ Riverside Church – by the grace & generosity of my filmmaker friend Jonathan (his footage from the past long weekend @ Standing Rock may be on the Tavis Smiley show tonight on PBS). This photograph is from just after I sang “This Land Is Your Land” in the nave @ Riverside with Tom Morello (Rage Against The Machine). They’d been spinning Woody Guthrie before the event & I reckon a Steve Earle version of the tune. I had been musing deeply on Woody, Pete Seeger, Madiba, my honorary uncle Kwame Ture (Stokely Carmichael)’s funeral in the same space & that MLK Jr denounced the Vietnam War from that pulpit. Singing in this sanctified Harlem space by the Hudson riverside got me fired up for next week’s rebel music program @ Decolonize #AllPowerToThePeople #CactusRose #KandiaCrazyHorse #artist #activist #indigenousrevolutionary #DemocracyNow20 #SingOut!!!
( Tom Morello by Kandia Crazy Horse )
Another photo from “Celebrate 20 Years of Democracy Now!” that Gina Belafonte sent me during the event. Although they knew each other previously, this was the first time Noam Chomsky & Harry Belafonte shared a platform according to him. What I loved best about Uncle Harry’s portion: he referred to Standing Rock & remade the call to Obama — as per my own wish throughout Walking Eagle’s presidency — to pardon Leonard Peltier. Accompanied by Democracy Now‘s footage @ Standing Rock & other indigenous resistance actions including those of Idle No More, I felt good to have our issues addressed on the date of the camps’ eviction (5 December). This discussion with the icons plus show hosts Amy Goodman & Juan Gonzalez occurred right before Patti Smith took the stage with a guitarist & her daughter Jesse on piano (a generational sonic nurturing I was glad to bear witness to as a female singer-songwriter & activist) to sing a forceful rendition of “People Got The Power” to a standing ovation.
( Noam Chomsky & Harry Belafonte sharing a platform for the first time – Democracy Now 20 @ Riverside Church in Harlem, by Gina Belafonte )
I am grateful I got to attend the event, be inspired by the speakers including Danny Glover & Danny DeVito, and, impromptu, be invited to sing a song for the people by one of our most hallowed American artist-activist icons, Woody Guthrie. Still musing on the takeaway from this celebration & will be sure to express it at my own protest music conversation/concert next week in Manhattan. Please join us in TriBeCa on the evening of 12/12 – We The People have many more reasons now in the Americas to #SingOut!!!
A’ho*
( Kandia Crazy Horse, singer/songwriter/indigenous activist of Cactus Rose, Native Americana / country music band, @ Riverside Church in Manhattan, after Democracy Now 20 )
Standing With Standing Rock #mniwiconi #NoDAPL #defendthesacred
Just returned a bit earlier from my twin Camara’s #blackartandactivismnow event in TriBeCa @ our home away from home #DecolonizeThisPlace — fortunately, my Black Rock Coalition/Bold As Love good friend/compadre Rob Fields was seated by me at the program, sharing the digital smoke signals about the #NoDAPL good news with me during the panel & then, upon returning home, got a ring from my friend Jonathan from the camps @ the frontline in North Dakota giving the confirmation that the easement was not granted to ETA – if they git’er done, Jonathan’s footage will appear on the Tavis Smiley show on PBS Tuesday night. I finally truly believe in the power of prayer, happy to see such a great outcome after many months of organizing, laboring, marching, rallying & of course, singing, in support of #StandingRock.
Yet this is not the end, for we #blacksnakekillers of the Tri-State must be heartened by this result & continue to fight to #StopSpectra #NoAIM #NoAlgonquinPipeline & I remain #standinginsolidaritywithsplitrock >>>>>>>—–))—>♥ Sometimes we on the right side of history can prevail & conscience trumps greed and corruption. Thank you, President Barack H. “Walking Eagle” Obama & the Army Corps for your action!
Overjoyed that we water protectors have won! The Dakota Access Pipeline will be re-routed, which is a hard-won victory for the Standing Rock Sioux Tribe & rest of the Oceti Sakowin. The ordered environmental impact statement will take months to complete, so it’s not all over & done yet. Still, we celebrate this huge victory & I will report back on the gnosis and mood of tomorrow night’s Democracy Now! event held by Harry Belafonte & Danny Glover et al @ Harlem’s Riverside Church – A’ho!
ARMY HALTS CONSTRUCTION OF DAKOTA ACCESS PIPELINE!
Throwback Thursday: Cactus Rose x Mahina Movement
Here’s a snap by youngblood Claude from last night @ Decolonize This Place, just before the sistren of protest music trio Mahina Movement sang a mighty powerful song In The Spirit of 1491. Contributing some guest vocals — impromptu, I joined them on singing “Ella’s Song” by Sweet Honey In The Rock, and some other tunes — & bearing witness to the live recording of their album for Palestine was a great way to end Native American Heritage Month.
(L-R) Kandia Crazy Horse, singer/songwriter/activist of Cactus Rose; Mahina Movement: Lorena Ambrosio (vocals, cajon, spoken word), Vaimoana Litia Makakaufaki Niumeitolu (vocals, spoken word) & Gabby (vocals, guitar), activists
We be #strongresilientindigenous & we’re looking forward to performing together come 12 December, back @ Decolonize in TriBeCa – A’ho!
#womenwarriorwednesdays #femalesingersongwriters #artists #activists #indigenousrevolutionaries #tbt #NoDAPL #FreePalestine
Still Standing In Solidarity With Standing Rock #mniwiconi #NoDAPL
As I have been these many months, I continue to be engaged in the Dakota Access Pipeline resistance in solidarity with the Oceti Sakowin of North Dakota – & now, supporting Split Rock as well (sanctioned by Red Warrior Camp), in solidarity with my cousin’s wife’s people, the Ramapough Lunaape of New Jersey, in order to stop the construction of the Algonquin Pipeline. Due to the escalation of attacks on the water protectors @ Standing Rock last Sunday night, I am receiving many communications on the cause & have now been invited to perform at yet another benefit for the camps, which will take place in NYC before Christmas. Other things are afoot as well & will relate about them as they unfold. Glad to note my Virginia Native great aunt is taking up flooding the phones to the president & state representatives with her circle of elders on behalf of Standing Rock!
( Kandia Crazy Horse, water protector, in Midtown NYC #mniwiconi #NoDAPL #NoAIM #defendthesacred #blacksnakekillers of Turtle Island )
For now, reflecting on having participated in the rally > march for Standing Rock last Wednesday @ Trump Tower in Midtown Manhattan & then performing at the Benefit For Water Protectors of #StandingRock on Friday night — making our debut as Cactus Rose at Brooklyn’s famed Jalopy Theater for ole-timey/hillbilly/folk/mountain music. It was an honor to serve as the headliner for this benefit, with our special guest: Seminole/Shawnee/Mikisúkî singer/songwriter/activist Lonnie Moon Fire Harrington. I have been told by the organizer that the event raised almost $2,000 in donations, so – Wopila tanka to all who came through!
Enjoying these last days of #NativeAmericanHeritageMonth — before band rehearsals resume for our full slate of December performances & attending two events this week for artists I greatly admire: tomorrow’s BET screening of the Sharon Jones documentary (in memoriam) & the private viewing of Morrison Hotel Gallery’s traveling Neil Young exhibit in SoHo on Thursday evening. Looking forward to seeing y’all out-n-about, as well as at the Standing Rock teach-in later this week @ Decolonize This Place – A’ho!
( Cactus Rose, Native Americana/cosmic country band, debut @ Jalopy Theater – pix by Jan Bell of The Maybelles )
Kandia Crazy Horse x Thanksgiving Week #StandingRock actions & benefit concert 11/25 in NYC
Howdy y’all / Osiyo skidoi, all my relations! I have not been able to report back much nor update this site, due to all the many #StandingRock actions & Native American circle pre-thanksgiving ceremonies & events I had over this past weekend & some. Among other events, I sang some of my Native Americana music @ the opening of Urban Native exhibit Cave To The Stars – Urban Natives Unrecognized @ Bread & Roses Project Gallery in Midtown last Thursday; I did #HonoringOurAncestors with the central Harlem Native circle on Saturday, followed by the Thunderbird American Indian Benefit Auction that night on the Upper East Side. And still working on my #LeonRussell memorial article, even as I rehearse for this Friday’s Benefit For Water Protectors concert in Brooklyn @ Jalopy Theater. Ho wa, will share some pix of all this activity by-and-by, but now am learning new songs & also preparing for tomorrow’s Standing Rock action in Midtown – if you somehow missed the horrible news of the chemical weaponry, water cannons & rubber bullets unleashed on the Standing Rock water protectors Sunday night in sub-freezing temperatures & its fallout, now is the time to become aware & join us in these support actions & by donating to the camps. I am receiving many communications suddenly from friends who have been relatively apathetic pre-election & several fellow country / Americana artists now querying me about the Standing Rock resistance; so it will be interesting to see how this continues to unfold & whether President “Walking Eagle” Obama will finally do something definitive in response to these unconscionable attacks on my prayerful relations out West. Still enjoying #NativeAmericanHeritageMonth somewhat — despite the unceasing musical losses: sadly, #SharonJones has walked on, claimed by the same cancer that took my dear mother. This has cast a further pall on the holiday week. A’ho*
Art for tomorrow’s #StandingRock action, by my brotha-in-struggle Kyle Goen #kyledidthis
& a lil’ lighthearted #ThrowbackTuesday snap by #NedSublette of me & my brothas Teddy K aka DJ Soul Punk & Cap’n #KirkDouglas of #TheRoots (the last time I got to see Sharon Jones & the Dap-Kings live was @ The Roots Picnic in Philly) @ my live #BlackHillbilly #countryandwestern music series #TheHarlemHonkytonk #SaddleUp!
The Guardian UK on 300 WATER PROTECTORS INJURED AT STANDING ROCK report
Remembering my favorite singer & biggest influence: Gene Clark
Gene Clark, a Native son of Tipton, Missouri, was a brilliant singer/songwriter/folkie who attained global fame for a spell in the 1960s as a member of The Byrds. Then, after quitting the band at the height of their acclaim — leaving them with the amazing “Eight Miles High — Gene embarked on a long & often turbulent solo career until his untimely death right after I moved UpSouth. Thus I never got to see him live, much to my regret. Yet each & ev’ry day I flash on him & his Creation, usually keeping a lot of his collaboration with my favorite banjoist, Doug Dillard (also now gone to Glory), in heavy rotation. One of my most beloved of Gene’s songs he cut with The Gosdin Brothers backing him – “So You Say You Lost Your Baby;” I also spin his masterpiece No Other a great deal. “One In A Hundred” and “Life’s Greatest Fool” are other key tunes of his for me. Someday, I will feel brave enough to share my ode to him, which I composed out of my time dwelling in the Ozarks in Missouri, called “Tipton Bramble.”
Today’s Gene Clark’s bornday, so re-sharing the column I wrote on him a couple years back which foregrounded his Native American heritage (which many don’t know about) & also featured an interview with my Cosmic California musician/surfer friend Brent Rademaker of Beachwood Sparks & now GospelBeach: THIS BYRD DONE FLOWN AGAIN by KANDIA CRAZY HORSE
( GENE CLARK, POST-FLYTE )
Also found out last night that rare country-rock specialist label Sierra Records has issued Gene Clark – The Lost Studio Sessions 1964-1982 > So will get that in my #NativeAmericanHeritageMonth rotation fo’sho’! – A’ho*
(Dillard & Clark)
Kandia Crazy Horse on The Red Road East (the sequel) #NoDAPL #NoAIM
Last night, I received Supermoon Medicine & then journeyed to the television station of Bronxnet to serve as a guest artist-activist on Fierce-Truthseeker’s (Tsalagi) show The Red Road East, which covers art, entertainment & political issues of Indian Country. As you may recall, I was the guest on the first-ever episode of the program & was happy to be asked back again — specifically for Native American Heritage Month — to speak on the Standing Rock & Split Rock resistance movement in the NYC / Northeast area, what actions we have done & plan for the future & promote the upcoming Standing Rock benefits I will be doing here: on 25 November @ Jalopy Theater in Brooklyn & the weekend of 16 December on Manhattan’s Upper East Side @ Ibex Puppetry. Additionally, I will be doing an artists & activism program on the current state of protest music, back at Decolonize This Place in TriBeCa on 12 December, with my Native Americana / Cosmic Country band Cactus Rose & special guest Abiodun Oyewole of The Last Poets. Stay tuned / follow me on Instagram for posters, ticket links & updates on these events.
When The Red Road East airs, will share the footage here for y’all outside the local NYC network. The Standing Rock benefits of Neil Young, Jackson Browne & Dave Matthews have gotten a lot more notice than the efforts of our grassroots collective of activists & generally, it’s difficult to get the media to pay attention to the creation of independent musicians without multi-million dollar teams behind them. Yet we are trying hard with very few resources to contribute to the cause with an all-female artists lineup Standing Rock benefit – the one slated for mid-December — to remind people that, despite the election outcome, #TheFutureIsFemale …So we thank you heartily for your support & for coming through to the concerts. I am a mite weary, but enjoying #NativeAmericanHeritageMonth to the fullest! A’ho*
( Kandia Crazy Horse @ Bronxnet studios, before the live taping on “The Red Road East” )
( Kandia Crazy Horse of Cactus Rose & Abiodun Oyewole of the Last Poets @ Bronxnet, after the taping of “The Red Road East” #NativeAmericanHeritageMonth x #BlackPower50 #indigenousfutures #IStandWithStandingRock )
(The set / studio of “The Red Road East” hosted by Fierce-Truthseeker #Tsalagi #Cherokee)
“Those who damage Mother Earth, damage us all / Forgive them / They don’t yet see”
– Neil Young
Standing Rock National Day of Action #NoDAPL #NoAIM NYC
( Ramapough Lunaape president/chief Dwaine Perry & Kandia Crazy Horse, Native Americana singer-songwriter/activist, of Cactus Rose band @ Central Park, after the Ramapough Lunaape clan mothers’ march in Manhattan )
We of the Eastern Nations in NYC / the Tri-State area are standing in solidarity with Standing Rock today for the National Day of Action. Check your local groups for opportunities to participate. I did prayerful advance marching with the Ramapough Lunaape Nation clan mothers & their Chief Dwaine Perry who came into Manahata from New Jersey on Sunday. We proceeded from Columbus Circle up through Central Park where we held the circle & performed water ceremonies prior to the Supermoon rise. I have been invited to sing in support & be of service at the Ramapough Lunaape water protector camp @ Split Rock in future & look forward to it. Many of us indigenous activists of the NY / NJ / CT area are committed to stopping Spectra, the Algonquin Pipeline, & halting any other pipeline projects that arise in the Northeast. As Sister Davidica Little Spotted Horse of the Oglala Lakota told us last week, the goal is for folks to attend to the black snakes in their own backyard rather than everyone converging on Standing Rock – still we have much to learn from the Oceti Sakowin & remain strong in solidarity with them as they defend The Mother – A’ho* #IStandWithStandingRock & #SplitRock #StandingRockNationalDayOfAction #NativeAmericanHeritageMonth #mniwiconi #NoDAPL #NoAIM #LoveWaterNotOil
Marching Manahata in solidarity with Standing Rock
It’s a great day to be indigenous, Sisters & Brothers! Leaving out anon to march Manahata along the Lenape trail Wickquasgeck, with my friends & fellow activists of the Eagle & Condor Community Center — we all stand with Standing Rock. This is my fight song…well, theme music for the Trail, anyroad; was singing this, “Broken Arrow” by my favorite band Buffalo Springfield, last Friday night acapella with filmmaker Jonathan Demme who’s a fellow Neil Young stan, after our #ProjectAmericana performance @ Symphony Space.
Thinking of the Missouri River (with “O Shenandoah” also echoing in my Soul) via these lyrics:
Did you see them in the river?
They were there to wave to you
Could you tell that the empty quivered
Brown skinned Indian on the banks
That were crowded and narrow
Held a broken arrow?
Today, I shall be singing freedom songs all the way from Columbus Circle to Shorakapok. We will be holding a water ceremony, after a stop at the Indian Caves of Inwood Hill. Stay tuned for my report. Rocking my mocs on out the door…! >>>>>>>—–))—>
Hope y’all are enjoying #NativeAmericanHeritageMonth & have a grand ole weekend – A’ho*
#KandiaCrazyHorse #NativeAmericana #artist #activist #CactusRose #band #IStandWithStandingRock #MniWiconi #ProtectTheSacred #NoDAPL #BlackSnakeKillas #HonorTheTreaties #StopSpectra NO #AlgonquinPipeline #rockyourmocs #VOTE!
Kandia Crazy Horse x Jimi Hendrix: Native American Heritage Month
Hope yer gettin’ over The Hump well this week, Sisters & Brothers! For those that don’t know: November is #NativeAmericanHeritageMonth
Here in New York City, I will be doing lots of actions & activities to honor that. Among them, I am doing a prayerful march through the entirety of Manhattan Island this Saturday with my friends of the Eagle & Condor Community Center (in Queens), from the National Museum of the American Indian @ Bowling Green (the southernmost tip of Manhattan) all the way to Shorakapok (the Indian Caves @ Inwood Hill on the Spuyten Duyvil). The march goes from 10 am until 6pm. I will also be rolling through the Black Farmers Conference in Harlem this weekend.
This month, I will be performing at another benefit for Standing Rock, on November 25 @ 9pm, this time at the City’s premiere venue for hillbilly/old-timey/bluegrass/roots music — the Jalopy Theater in Brooklyn. I have been trying to work it out to play at Jalopy for a long time, so happy to finally do so for a great, beautiful cause so near and dear to my Native heart. This will also be the proper debut of my new Native Americana / twang band Cactus Rose. More details TBA!
(Kandia Crazy Horse @ Electric Lady Studios in vintage fringed buckskin jacket, Greenwich Village NYC, by Camara Dia Holloway)
Made my #NativeAmericanHeritageMonth pilgrimage to #ElectricLadyStudios in the Village, honoring #JimiHendrix’ Native #Tsalagi roots. Received some purple & feathered energy from Jimi that I will be unleashing when I perform @ the Standing Rock benefit @ Jalopy – A’ho*
#Jimi Hendrix #AniYunwiya #KandiaCrazyHorse x #CactusRose #Pamunkey #Afrohippies #CherokeeMist #TaharqaAleem #Ibeji #TheAleems #TwinsSevenSeven #NativeAmericana #ICanHearAtlantisFullOfCheer #MniWiconi #ElectricLadies #CosmicAmericanMusic
Hawk Medicine in Hudson Canyon
We three Native American sisters & NYC artists, representing three Nations & both the Upper and Deep South, had a lovely, impromptu gathering down by the riverside of Hamilton Heights yesterday before the rains swept along the Hudson River. Surrounded by several circling & swooping hawks, we began a powerful conjure straight out of Hudson Canyon — look forward to us being involved with the recently-discovered Lenape burial mounds at 125th Street in Harlem, among other projects – A’ho* #KandiaCrazyHorse #TessReese #KimberlyRobison / #Karline #HawkMedicine
(Kandia Crazy Horse on the Hudson River, view of the Palisades, by Tess Reese, Choctaw)
(Karline x Kandia x Tess, by Kandia Crazy Horse)
(Stormy Sunday in Hudson Canyon by Kandia Crazy Horse)
Kandia Crazy Horse x David Archambault II #mniwiconi #NoDAPL #StandingRockSiouxTribe
Between rehearsals for #ProjectAmericana & getting to assorted meetings around NYC, this has been a busy, heady week. Amongst the events I am glad I was able to make time for: Indigenous Forum @ Columbia University. The best part of this was hearing from some of the Oceti Sakowin youth who ran from Cannonball, North Dakota to Washington DC to raise awareness about the Dakota Access Pipeline & related resistance, which I have been engaged in since the dawn of August. Their emotional pleas underscored why we need to keep up our prayers and support for the water protectors at Standing Rock.
(David Archambault II & Kandia Crazy Horse @ Columbia University, NYC)
It was also an honor to hear Standing Rock Sioux Tribe chairman Dave Archambault II speak, including about the long history of predations by the U.S. government & settlers on his Oyate’s sovereign territory and subsequent environmental threats to their lands; and then to get to speak to him briefly about my musical endeavors in Indian Country, as well as specifically on behalf of the water protectors of Standing Rock. Right now, we are watching the live feeds of leaders like LaDonna Allard & others, waiting to see what sadly is happening of the moment in North Dakota. Yet, I still have another musical benefit for Standing Rock in development (in NYC) & am committed to sing in support wherever, whenever may be called. A’ho*
#mniwiconi #NoDAPL #ProtectTheSacred #LoveWaterNotOil #RezpectOurWater #StandingInSolidarityWithStandingRock
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