Throwback Thursday: Kandia Crazy Horse x Sheila E. x D.A. Pennebaker @ Yale University | Repose en paix Butch Trucks
I am still recovering from the sonic & social whirl of this past week in Connecticut where we were engaged in mounting the #DavidBowie & #Prince memorial conference “Blackstar Rising & The Purple Reign,” organized by my dear friend & Yale University scholar Dr. Daphne A. Brooks. A good deal to reflect upon from all I heard from my former rockcrit colleagues including Ann Powers of NPR Music & Michaelangelo Matos & Greil Marcus, as well as those of the Academy such as Tavia Nyong’o of Yale & Eric Lott of CUNY Graduate Center. I do appreciate the wide audience that my session with Sherae Rimpsey & Alan Light — Everybody Still Wants To Fly — garnered due to our being the lead-in to Solange Knowles’ keynote address. My take on Prince as Mystery Cult via the prism of what Harold Bloom has denunciated as “California Orphism” was interesting to some folks (smile). And my Texan bandmate KAR / Kimberly Robison kindly traveled up from the Hamilton Grange to support me in my presentation & also did some vital research at Yale on Emily West aka the Yellow Rose of Texas for an upcoming project we wish to mount – stay tuned!
I was also very sad to learn upon my arrival in New Haven that Allman Brothers Band drummer Butch Trucks was gone to Glory. A lot of flashing on my time spent on-and-off the Road that goes on Forever with the Allmans is surfacing & I am doing a lot of listening to my favorites among their compositions — particularly one of my 3 most treasured songs: “In Memory Of Elizabeth Reed.” So, more to come after a spell on what transpired last week…yet here’s two precious souvenirs of my time spent in New Haven — meeting one of the scions of the great Escovedo family of American music that has had a profound influence on me since I initially grew up in a colony of Aztlan, a Chicano barrio in Chocolate City; I am very much a follower as a singer-songwriter of Sheila E. & her uncle Alejandro Escovedo…& as a past film school graduate and lover of concert cinema, I have also been influenced by D.A. Pennebaker who made my beloved Monterey Pop. An honor all ’round to briefly share space with them…A’ho*
( Sheila E. & Kandia Crazy Horse of Cactus Rose @ Yale University last Friday night, New Haven, Connecticut )
( Kandia Crazy Horse of Cactus Rose & legendary filmmaker D.A. Pennebaker @ Yale, after screening of his 1973 David Bowie documentary “Ziggy Stardust” )
Kandia Crazy Horse x Prince x Stevie Nicks @ BlackStar Rising & the Purple Reign 1/26
Dearly Beloved, I hope you shall join us this week @ Yale University in New Haven for the Prince – David Bowie conference: BlackStar Rising & The Purple Reign
In the lead-in to the Solange (Knowles) keynote address, I shall be holding forth on Mystical Prince, the Afro-Native spirit of his jazz belle mother Mattie & his Muses including my key sonic foremother Stevie Nicks (of course, Stevie & Prince collaborated on “Stand Back” & among other thangs, Prince clearly derived some of his famous style from Stevie’s bespoke sartorial aesthetic). Rather than due to Prince’s most adored blackface-wearing, jazz fusioneer heroine Joni Mitchell (who transformed from Saskatoon prairie flower trilling songbird into a black pimp who punked the Asylum gang royalty of LA with her own alter-ego Art Nouveau), I am a latter-day Lady of the Canyon because of my heroine Stevie Nicks — & a select elite of cult favorite canyon muses including Wendy Waldman, Essra Mohawk, Claudia Lennear & Judee Sill; they are all collectively the Muses behind songs of mine such as “Quartz Hill,” “Cowgirls,””Songcatcher,” & “Rare Bird” (& yes, my sophomore album was titled Canyons). As a sonic & spiritual acolyte-turned-Adept of Queen California’s Electric Eden (who possesses the Source Family lineage name Songbird Aquarian), I am looking forward to being purified anew in the purple-hued waters of Lake Minnetonka.
A-ho*
Kandia Crazy Horse x Prince x David Bowie @ BlackStar Rising & The Purple Reign
Hope y’all enjoyed the Martin Luther King Jr. Holiday; I spent mine meditating on the post-60s emanations of The Dream — as well as its limits as manifest in the oeuvres of Black Atlantic & Heartland rockstars David Bowie & Prince. I am finally at liberty to invite y’all to join us in New Haven @ the end of the month for the “Blackstar Rising & The Purple Reign” rock conference. Courtesy of an invite from my longtime dear friend of the Black Rock scene, former Princeton professor turned Yale scholar Dr. Daphne Brooks, I shall be presenting on Prince & activism @ Yale University; my evening program on 25 January also features Solange (Knowles) as keynote speaker & former SPIN magazine editor Alan Light.
The program also includes Sheila E., Kimbra, Questlove & others + a closing concert by TV On The Radio. More info & registration instructions linked: KANDIA CRAZY HORSE presentation @ YALE UNIVERSITY for Blackstar Rising & The Purple Reign 1/25
Looking forward to my rebirth in the purifying waters of Lake Minnetonka: HARTFORD COURANT on BLACKSTAR RISING & THE PURPLE REIGN
Chelsea Girls: Kandia Crazy Horse x Carrie Mae Weems x Claudia Lennear in NYC
Here’s a photo shot by one of the Jack Shainman Gallery’s gallerinas from yesterday: visual artist Carrie Mae Weems & (me) sonic artist Kandia Crazy Horse @ their space on W. 20th Street in Chelsea, for the opening of her new exhibits (see description below). Carrie & I used to share workspace way back many moons ago when I attended Hampshire College & she was teaching there. Nice to see how far our respective Creation has come & find now in her a fellow fan of my Afrohippie & bluegrass singer-songwriter heroine/inspiration Claudia Lennear — two vintage yet manipulated images, “Blue Notes,” of Claudia are featured in the show.
Via Jack Shainman Gallery PR: “Jack Shainman Gallery is pleased to announce Carrie Mae Weems’ first solo exhibition in New York City since the historic retrospective at the Guggenheim in 2014. Her influential career continues to address the rifts caused by race, class, and gender via imagery and text that is both sharply direct and beautifully poetic. This two-part exhibition highlights her recent investigations into performance, entertainment, and history.
Blue Notes (2014) and An Essay on Equivalents, See… (2011-2015) highlight figures on the periphery, bringing them front and center. The photographic series are paired with the enigmatic video installation Lincoln, Lonnie, and Me (2012), originally commissioned by the Mattress Factory, Pittsburgh, PA. The work rests on a 19th century optical trick, “Pepper’s ghost,” in which a strategically lit pane of glass reflects people and objects as dematerialized versions on stage. Weems employs this phantasmagoria to examine her own relationship to history and two individuals in particular: the 16th president of the United States and artist/activist Lonnie Graham, her sometime collaborator. Here history becomes theater, a succession of ghostly projections that draw us in to the strange ways in which representation seduces and manipulates, and how some are left out of history altogether, their apparitions left to haunt the expanses of Western culture.
The theme of performance continues with Scenes & Take (2016). Weems dons her black-robed muse persona—recognizable from the now iconic Roaming and Museums series—to stand before empty stage sets, documenting these encounters with vivid color photographs. The contemplative pose of the artist raises issues of who gets to be shown on screen; what do the fictional characters in television, theater, cinema, and visual art say about the cultural climate in which they are created, and how do these representations shift across time?
All the Boys (2016) responds to the recent killings of young African American men and suggests a darker reality of identity construction. Portraits of black men in hooded sweatshirts are matched with text panels. The written descriptions evoke police reports, underscoring how a demographic is all-too-often targeted and presumed guilty by a system plagued with prejudice. […]”
(Shot of “Blue Note – Claudia Lennear” by Kandia Crazy Horse – Originally from an early 1970s Playboy feature on the Laurel Canyon singer-songwriter)
Claudia Lennear had famous affairs with Mick Jagger of the Rolling Stones, when she toured with them in 1969 as an Ikette (part of the Ike & Tina Turner Revue), & later with David Bowie during his LA burnout/Sigma Sound Soul phase in Philly – the resulting songs “Brown Sugar,” Claudia’s response “Not At All,” & Bowie’s “Lady Grinning Soul.” I am personally far more interested in her singing with my most beloved Master of Space & Time Leon Russell (as part of the Shelter People) & Claudia Lennear’s attempt to have a bluegrass trio in the early ’70s with her fellow Mad Dogs & Englishmen Tour veteran singers Donna Washburn (once a member of my most beloved/influence Dillard & Clark) & Donna Weiss (later a songwriter of some note; she had songs covered by, among others, another Mad Dogs star & my heroine/influence as a Native Americana artist, Rita Coolidge – I just recently filed an essay about Ms. Coolidge & this lore, which will be published next year in a tome on Women Of Country). A friend & Southern sonic forebear of mine, the late Memphis pianist/producer icon Jim Dickinson (aka James Luther Dickinson of “Dixie-Fried” & “White Horses”+ producing Big Star’s Third fame) promised to give me a photo of their bluegrass trio, as he was tied to the project, but then he walked on. Still hope to see the images someday! Of course, Claudia is active again, post- Twenty Feet From Stardom rediscovery, and leading two bands — one bluegrass — today in Los Angeles & recording an album David Bowie had sought her out to collaborate on before his passing. Looking forward to catching ’em live whenever I next make it to the Coast. I always do enjoy spending time in LA, amongst the newer Laurel Canyon & Topanga Canyon rock ‘n roll hippie glitterati — although most of them are East Side gentrifiers, particularly in Echo Park & Downtown (with satellites in Eagle Rock & Mt. Washington & out in the environs of Joshua Tree & Bolinas & Nevada City); this is why I always keep dear Odetta (who my late Virginian Native American mother Anne Marie wished for me to model & pick guitar in her image) & Claudia Lennear as my history-making twang foremamas & legendary Ladies of the Canyon.
I still plan to do a major project around the sound+vision of Claudia Lennear, Leon Russell, Rita Coolidge & their mutual benefactors, Delaney and Bonnie (& their fabulous Friends) during 2017 – Stay tuned!
(Two #BlackRockCoalition & #AfroPunk veteran chroniclers & rock-n-rollers outside Jack Shainman Gallery, Chelsea: #KandiaCrazyHorse #NativeAmericana #CosmicCountry #singersongwriter & #RobFields #BoldAsLove #blogger & festival founder – #FollowMe on #Instagram: @kandiacrazyhorse)
(LADY OF (HUDSON) CANYON: After Carrie’s opening, upon The Highline in Chelsea, by a fan – More NYC shows upcoming! #LadiesOfTheCanyon)
kandiacrazyhorse.com 