Posts tagged “blackcontemporaryart

Cactus Rose @ Branded Saloon, Brooklyn 2/17 – Black Hillbilly live for Black History Month

Join us of Cactus Rose band for our first show of 2017 this Friday night! We are celebrating #BlackHistoryMonth with our own cosmic twang contribution to the #BlackHillbilly tradition & looking forward to reaching out farther with this advocacy into the national & international music scene during this year. Follow us on Instagram: @cactusroselovesyou

#CactusRose live @ Branded Saloon

2/17/2017

603 Vanderbilt Avenue, Brooklyn NY

10:30pm

More info/directions: brandedsaloon.com

 

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( Black stringband in 1900)

JUST WHAT IS BLACK HILLBILLY?

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Kandia Crazy Horse x Prince x Stevie Nicks @ BlackStar Rising & the Purple Reign 1/26

Dearly Beloved, I hope you shall join us this week @ Yale University in New Haven for the Prince – David Bowie conference: BlackStar Rising & The Purple Reign

In the lead-in to the Solange (Knowles) keynote address, I shall be holding forth on Mystical Prince, the Afro-Native spirit of his jazz belle mother Mattie & his Muses including my key sonic foremother Stevie Nicks (of course, Stevie & Prince collaborated on “Stand Back” & among other thangs, Prince clearly derived some of his famous style from Stevie’s bespoke sartorial aesthetic). Rather than due to Prince’s most adored blackface-wearing, jazz fusioneer heroine Joni Mitchell (who transformed from Saskatoon prairie flower trilling songbird into a black pimp who punked the Asylum gang royalty of LA with her own alter-ego Art Nouveau), I am a latter-day Lady of the Canyon because of my heroine Stevie Nicks — & a select elite of cult favorite canyon muses including Wendy Waldman, Essra Mohawk, Claudia Lennear & Judee Sill; they are all collectively the Muses behind songs of mine such as “Quartz Hill,” “Cowgirls,””Songcatcher,” & “Rare Bird” (& yes, my sophomore album was titled Canyons). As a sonic & spiritual acolyte-turned-Adept of Queen California’s Electric Eden (who possesses the Source Family lineage name Songbird Aquarian), I am looking forward to being purified anew in the purple-hued waters of Lake Minnetonka.

A-ho*

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Throwback Thursday: Meeting Anna Deveare Smith

Yesterday was an afternoon well-spent in Midtown: attending the matinee of Anna Deveare Smith’s new play #NotesFromTheField @ Second Stage Theater & enjoying a post-show discussion of the school-to-prison pipeline and creative process. I was fortunate enough to see the work by the generosity of my friend who is planning to film the play in 2017, and then to meet Ms. Deveare Smith briefly afterwards. Of the many brilliant characters from various walks of American life that were featured in the play, I most enjoyed her voicing of Congressman John Lewis (D-Georgia) who is the activist that remained most at the forefront of my consciousness during 2016 & the presidential election cycle, as he urged folks to vote.

On a more personal note: Anna Deveare Smith gave me a treasured, high compliment – that my sounds / performance style / interaction onstage with space remind her of Sweet Honey In The Rock. Some of my most precious praise for my creativity that I have received & was happy to learn that Ms. Deveare Smith is from Baltimore, Maryland, aka B-more & thus of the same mid-Atlantic region – #DMV represent!

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( Anna Deveare Smith & Kandia Crazy Horse, backstage @ Second State Theater in Midtown NYC )

Either through its staging or the eventual film, looking forward to Notes From The Field speaking to a wider audience. It is a masterwork engaging with this hard, turbulent moment of murders, #BLM, Standing Rock and the “New Jim Crow” on the prison-industrial complex that Angela Davis, Ava DuVernay & several others have been holding forth on, even as one of the major prison strikes in U.S. history has been unfolding this season with very little notice or coverage. How primary school students in minority / underserved communities are being treated is something we all need to think long & hard about…


Rebel Music In The Hour Of Chaos 12/12: On the State of protest music & activism in 2016 (final poster) #NoDAPL #BlackPower50 #IStandWithSplitRock

Beautiful poster art in my favorite color, by our brother-in-struggle Kyle Goen #kyledidthis

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Rebel Music In The Hour Of Chaos: protest music concert @ Decolonize This Place NYC 12/12

“Rebel Music In The Hour Of Chaos:” Music emanates directly from my indigenous soul. Therefore, it immediately made sense for me to perform my music again this year as a soundtrack to our overlapping struggles – including #NoDAPL. Sounds, including freedom songs past & present, most powerfully link us together & amplify what’s transpiring from the actions in the streets. I was born in the Season of Marvin Gaye’s “What’s Going’ On,” an album that dominated my childhood as the strivings for Total Revolution continued past the 1960s societal upheaval; and the inspiration to become an artist-activist sprang from that era. I remain under the influence of rebel music from many artists and cultures – Please join us on Monday 12 December @ Decolonize This Place. 55 Walker St, TriBeCa NYC (Doors 8pm). when we will perform some songs of protest & be in conversation about our activism with Brotha Rob Fields (Bold As Love / Black Rock Coalition) – A’ho! Cactus Rose ft. Special Guests: Abiodun Oyewole (The Last Poets) & Mahina Movement

This may be our final show of 2016, so we really appreciate you coming through & all of your support during the many Standing Rock resistance actions – Wopila tanka, y’all

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 ( Afro-Native sisterhood from Virginia: Kimberly Robison/KAR & Kandia Crazy Horse of Cactus Rose, Native Americana / cosmic country band, @ Decolonize This Place in TriBeCa this past Sunday for Black Art & Activism Now, curated by Dr. Camara Holloway & Tavia Nyong’o (Yale University) )

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( preliminary poster for REBEL MUSIC IN THE HOUR OF CHAOS by artist Kyle Goen (Decolonize This Place/MTO Collective) #KyleDidThis )

img_4092 ( Jeff McLaughlin, lead guitarist / vocals of Cactus Rose )

img_4257 ( Kandia Crazy Horse with Lorena, Vaimoana & Gabby of Mahina Movement @ Decolonize This Place NYC )

img_3640 ( Kandia Crazy Horse & Abiodun Oyewole of The Last Poets – Cactus Rose Instagram: @cactusroselovesyou )


Hawk Medicine in Hudson Canyon

We three Native American sisters & NYC artists, representing three Nations & both the Upper and Deep South, had a lovely, impromptu gathering down by the riverside of Hamilton Heights yesterday before the rains swept along the Hudson River. Surrounded by several circling & swooping hawks, we began a powerful conjure straight out of Hudson Canyon — look forward to us being involved with the recently-discovered Lenape burial mounds at 125th Street in Harlem, among other projects – A’ho* #KandiaCrazyHorse #TessReese #KimberlyRobison / #Karline #HawkMedicine

img_1229 (Kandia Crazy Horse on the Hudson River, view of the Palisades, by Tess Reese, Choctaw)

img_1233 (Karline x Kandia x Tess, by Kandia Crazy Horse)

img_1231 (Stormy Sunday in Hudson Canyon by Kandia Crazy Horse)


Chelsea Girls: Kandia Crazy Horse x Carrie Mae Weems x Claudia Lennear in NYC

Here’s a photo shot by one of the Jack Shainman Gallery’s gallerinas from yesterday: visual artist Carrie Mae Weems & (me) sonic artist Kandia Crazy Horse @ their space on W. 20th Street in Chelsea, for the opening of her new exhibits (see description below). Carrie & I used to share workspace way back many moons ago when I attended Hampshire College & she was teaching there. Nice to see how far our respective Creation has come & find now in her a fellow fan of my Afrohippie & bluegrass singer-songwriter heroine/inspiration Claudia Lennear — two vintage yet manipulated images, “Blue Notes,” of Claudia are featured in the show.

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Via Jack Shainman Gallery PR: “Jack Shainman Gallery is pleased to announce Carrie Mae Weems’ first solo exhibition in New York City since the historic retrospective at the Guggenheim in 2014. Her influential career continues to address the rifts caused by race, class, and gender via imagery and text that is both sharply direct and beautifully poetic. This two-part exhibition highlights her recent investigations into performance, entertainment, and history.
Blue Notes (2014) and An Essay on Equivalents, See… (2011-2015) highlight figures on the periphery, bringing them front and center. The photographic series are paired with the enigmatic video installation Lincoln, Lonnie, and Me (2012), originally commissioned by the Mattress Factory, Pittsburgh, PA. The work rests on a 19th century optical trick, “Pepper’s ghost,” in which a strategically lit pane of glass reflects people and objects as dematerialized versions on stage. Weems employs this phantasmagoria to examine her own relationship to history and two individuals in particular: the 16th president of the United States and artist/activist Lonnie Graham, her sometime collaborator. Here history becomes theater, a succession of ghostly projections that draw us in to the strange ways in which representation seduces and manipulates, and how some are left out of history altogether, their apparitions left to haunt the expanses of Western culture.
The theme of performance continues with Scenes & Take (2016). Weems dons her black-robed muse persona—recognizable from the now iconic Roaming and Museums series—to stand before empty stage sets, documenting these encounters with vivid color photographs. The contemplative pose of the artist raises issues of who gets to be shown on screen; what do the fictional characters in television, theater, cinema, and visual art say about the cultural climate in which they are created, and how do these representations shift across time?
All the Boys (2016) responds to the recent killings of young African American men and suggests a darker reality of identity construction. Portraits of black men in hooded sweatshirts are matched with text panels. The written descriptions evoke police reports, underscoring how a demographic is all-too-often targeted and presumed guilty by a system plagued with prejudice. […]”

img_1183 (Shot of “Blue Note – Claudia Lennear” by Kandia Crazy Horse – Originally from an early 1970s Playboy feature on the Laurel Canyon singer-songwriter)

Claudia Lennear had famous affairs with Mick Jagger of the Rolling Stones, when she toured with them in 1969 as an Ikette (part of the Ike & Tina Turner Revue), & later with David Bowie during his LA burnout/Sigma Sound Soul phase in Philly – the resulting songs “Brown Sugar,” Claudia’s response “Not At All,” & Bowie’s “Lady Grinning Soul.” I am personally far more interested in her singing with my most beloved Master of Space & Time Leon Russell (as part of the Shelter People) & Claudia Lennear’s attempt to have a bluegrass trio in the early ’70s with her fellow Mad Dogs & Englishmen Tour veteran singers Donna Washburn (once a member of my most beloved/influence Dillard & Clark) & Donna Weiss (later a songwriter of some note; she had songs covered by, among others, another Mad Dogs star & my heroine/influence as a Native Americana artist, Rita Coolidge – I just recently filed an essay about Ms. Coolidge & this lore, which will be published next year in a tome on Women Of Country). A friend & Southern sonic forebear of mine, the late Memphis pianist/producer icon Jim Dickinson (aka James Luther Dickinson of “Dixie-Fried” & “White Horses”+ producing Big Star’s Third fame) promised to give me a photo of their bluegrass trio, as he was tied to the project, but then he walked on. Still hope to see the images someday! Of course, Claudia is active again, post- Twenty Feet From Stardom rediscovery, and leading two bands — one bluegrass — today in Los Angeles & recording an album David Bowie had sought her out to collaborate on before his passing. Looking forward to catching ’em live whenever I next make it to the Coast. I always do enjoy spending time in LA, amongst the newer Laurel Canyon & Topanga Canyon rock ‘n roll hippie glitterati — although most of them are East Side gentrifiers, particularly in Echo Park & Downtown (with satellites in Eagle Rock & Mt. Washington & out in the environs of Joshua Tree & Bolinas & Nevada City); this is why I always keep dear Odetta (who my late Virginian Native American mother Anne Marie wished for me to model & pick guitar in her image) & Claudia Lennear as my history-making twang foremamas & legendary Ladies of the Canyon.

I still plan to do a major project around the sound+vision of Claudia Lennear, Leon Russell, Rita Coolidge & their mutual benefactors, Delaney and Bonnie (& their fabulous Friends) during 2017 – Stay tuned!

img_1185 (Two #BlackRockCoalition & #AfroPunk veteran chroniclers & rock-n-rollers outside Jack Shainman Gallery, Chelsea: #KandiaCrazyHorse #NativeAmericana #CosmicCountry #singersongwriter & #RobFields #BoldAsLove #blogger & festival founder – #FollowMe on #Instagram: @kandiacrazyhorse)

img_1196 (LADY OF (HUDSON) CANYON: After Carrie’s opening, upon The Highline in Chelsea, by a fan – More NYC shows upcoming! #LadiesOfTheCanyon)