Just returned a bit earlier from my twin Camara’s #blackartandactivismnow event in TriBeCa @ our home away from home #DecolonizeThisPlace — fortunately, my Black Rock Coalition/Bold As Love good friend/compadre Rob Fields was seated by me at the program, sharing the digital smoke signals about the #NoDAPL good news with me during the panel & then, upon returning home, got a ring from my friend Jonathan from the camps @ the frontline in North Dakota giving the confirmation that the easement was not granted to ETA – if they git’er done, Jonathan’s footage will appear on the Tavis Smiley show on PBS Tuesday night. I finally truly believe in the power of prayer, happy to see such a great outcome after many months of organizing, laboring, marching, rallying & of course, singing, in support of #StandingRock.
Yet this is not the end, for we #blacksnakekillers of the Tri-State must be heartened by this result & continue to fight to #StopSpectra #NoAIM #NoAlgonquinPipeline & I remain #standinginsolidaritywithsplitrock >>>>>>>—–))—>♥ Sometimes we on the right side of history can prevail & conscience trumps greed and corruption. Thank you, President Barack H. “Walking Eagle” Obama & the Army Corps for your action!
Overjoyed that we water protectors have won! The Dakota Access Pipeline will be re-routed, which is a hard-won victory for the Standing Rock Sioux Tribe & rest of the Oceti Sakowin. The ordered environmental impact statement will take months to complete, so it’s not all over & done yet. Still, we celebrate this huge victory & I will report back on the gnosis and mood of tomorrow night’s Democracy Now! event held by Harry Belafonte & Danny Glover et al @ Harlem’s Riverside Church – A’ho!
Howdy y’all / Osiyo skidoi, all my relations! I have not been able to report back much nor update this site, due to all the many #StandingRock actions & Native American circle pre-thanksgiving ceremonies & events I had over this past weekend & some. Among other events, I sang some of my Native Americana music @ the opening of Urban Native exhibit Cave To The Stars – Urban Natives Unrecognized @ Bread & Roses Project Gallery in Midtown last Thursday; I did #HonoringOurAncestors with the central Harlem Native circle on Saturday, followed by the Thunderbird American Indian Benefit Auction that night on the Upper East Side. And still working on my #LeonRussell memorial article, even as I rehearse for this Friday’s Benefit For Water Protectors concert in Brooklyn @ Jalopy Theater. Ho wa, will share some pix of all this activity by-and-by, but now am learning new songs & also preparing for tomorrow’s Standing Rock action in Midtown – if you somehow missed the horrible news of the chemical weaponry, water cannons & rubber bullets unleashed on the Standing Rock water protectors Sunday night in sub-freezing temperatures & its fallout, now is the time to become aware & join us in these support actions & by donating to the camps. I am receiving many communications suddenly from friends who have been relatively apathetic pre-election & several fellow country / Americana artists now querying me about the Standing Rock resistance; so it will be interesting to see how this continues to unfold & whether President “Walking Eagle” Obama will finally do something definitive in response to these unconscionable attacks on my prayerful relations out West. Still enjoying #NativeAmericanHeritageMonth somewhat — despite the unceasing musical losses: sadly, #SharonJones has walked on, claimed by the same cancer that took my dear mother. This has cast a further pall on the holiday week. A’ho*
Art for tomorrow’s #StandingRock action, by my brotha-in-struggle Kyle Goen #kyledidthis
& a lil’ lighthearted #ThrowbackTuesday snap by #NedSublette of me & my brothas Teddy K aka DJ Soul Punk & Cap’n #KirkDouglas of #TheRoots (the last time I got to see Sharon Jones & the Dap-Kings live was @ The Roots Picnic in Philly) @ my live #BlackHillbilly #countryandwestern music series #TheHarlemHonkytonk #SaddleUp!
( Ramapough Lunaape president/chief Dwaine Perry & Kandia Crazy Horse, Native Americana singer-songwriter/activist, of Cactus Rose band @ Central Park, after the Ramapough Lunaape clan mothers’ march in Manhattan )
We of the Eastern Nations in NYC / the Tri-State area are standing in solidarity with Standing Rock today for the National Day of Action. Check your local groups for opportunities to participate. I did prayerful advance marching with the Ramapough Lunaape Nation clan mothers & their Chief Dwaine Perry who came into Manahata from New Jersey on Sunday. We proceeded from Columbus Circle up through Central Park where we held the circle & performed water ceremonies prior to the Supermoon rise. I have been invited to sing in support & be of service at the Ramapough Lunaape water protector camp @ Split Rock in future & look forward to it. Many of us indigenous activists of the NY / NJ / CT area are committed to stopping Spectra, the Algonquin Pipeline, & halting any other pipeline projects that arise in the Northeast. As Sister Davidica Little Spotted Horse of the Oglala Lakota told us last week, the goal is for folks to attend to the black snakes in their own backyard rather than everyone converging on Standing Rock – still we have much to learn from the Oceti Sakowin & remain strong in solidarity with them as they defend The Mother – A’ho* #IStandWithStandingRock & #SplitRock #StandingRockNationalDayOfAction #NativeAmericanHeritageMonth #mniwiconi #NoDAPL #NoAIM #LoveWaterNotOil
I am an independent, stubborn southern belle & outlaw queen — Always been, always will be. Still, I believe #TheFutureIsFemale & I am also, of course, here for #IndigenousFutures – so I voted today in remembrance of my heroines: my Pamunkey mother Anne Marie from the Shenandoah Valley & Miz Fannie Lou Hamer, The Black Panther of Lowndes County. Sho’nuff, neither party gave us much of a decent choice & Kaine has only paid lip service to #NoDAPL on the eve of the election, smacking of desperation. Yet I have got to take the long view for the Turtle Island Liberation Movement I am a part of & with deep south kin still alive who were persecuted and firebombed by the Ku Klux Klan for daring to vote & mobilize their African-descent community to do so, I will never take my right to vote for granted. And a #NastyGal does step into the breach & flex her power, too – Love, that’s America! A’ho*
#KandiaCrazyHorse #NativeAmericana #singersongwriter #CosmicAmericanMusic #NativeAmerican #artist #activist #indigenousrevolutionary #AfroHippie #IStandWithStandingRock #NativeAmericanHeritageMonth #LoveWillWin #Merica
Sidenote: as a Black Bullette/Taurus Woman & Wonderlove(r), this was great to read today: http://www.huffingtonpost.com/entry/stevie-wonder-driving-equals-trump-presidency_us_5820c1a0e4b0aac62485fa21 KANDIA CRAZY HORSE loves STEVIE WONDER (a key influence)
( Kandia Crazy Horse #IdleNoMore in the voter queue today in Hamilton Heights / Harlem-on-the-Range, Uptown NYC – @cactusroselovesyou Instagram )
( Coming out of my polling place, a school named for Adam Clayton Powell Jr. – IG: @cactusroselovesyou )
( Some local Latina sisters were gifting us #StarsAndStripes Hershey kisses while we waited to vote #VoteNYC – IG: @cactusroselovesyou )
Hope yer gettin’ over The Hump well this week, Sisters & Brothers! For those that don’t know: November is #NativeAmericanHeritageMonth
Here in New York City, I will be doing lots of actions & activities to honor that. Among them, I am doing a prayerful march through the entirety of Manhattan Island this Saturday with my friends of the Eagle & Condor Community Center (in Queens), from the National Museum of the American Indian @ Bowling Green (the southernmost tip of Manhattan) all the way to Shorakapok (the Indian Caves @ Inwood Hill on the Spuyten Duyvil). The march goes from 10 am until 6pm. I will also be rolling through the Black Farmers Conference in Harlem this weekend.
This month, I will be performing at another benefit for Standing Rock, on November 25 @ 9pm, this time at the City’s premiere venue for hillbilly/old-timey/bluegrass/roots music — the Jalopy Theater in Brooklyn. I have been trying to work it out to play at Jalopy for a long time, so happy to finally do so for a great, beautiful cause so near and dear to my Native heart. This will also be the proper debut of my new Native Americana / twang band Cactus Rose. More details TBA!
(Kandia Crazy Horse @ Electric Lady Studios in vintage fringed buckskin jacket, Greenwich Village NYC, by Camara Dia Holloway)
Made my #NativeAmericanHeritageMonth pilgrimage to #ElectricLadyStudios in the Village, honoring #JimiHendrix’ Native #Tsalagi roots. Received some purple & feathered energy from Jimi that I will be unleashing when I perform @ the Standing Rock benefit @ Jalopy – A’ho*
#Jimi Hendrix #AniYunwiya #KandiaCrazyHorse x #CactusRose #Pamunkey #Afrohippies #CherokeeMist #TaharqaAleem #Ibeji #TheAleems #TwinsSevenSeven #NativeAmericana #ICanHearAtlantisFullOfCheer #MniWiconi #ElectricLadies #CosmicAmericanMusic
Here’s a photo shot by one of the Jack Shainman Gallery’s gallerinas from yesterday: visual artist Carrie Mae Weems & (me) sonic artist Kandia Crazy Horse @ their space on W. 20th Street in Chelsea, for the opening of her new exhibits (see description below). Carrie & I used to share workspace way back many moons ago when I attended Hampshire College & she was teaching there. Nice to see how far our respective Creation has come & find now in her a fellow fan of my Afrohippie & bluegrass singer-songwriter heroine/inspiration Claudia Lennear — two vintage yet manipulated images, “Blue Notes,” of Claudia are featured in the show.
Via Jack Shainman Gallery PR: “Jack Shainman Gallery is pleased to announce Carrie Mae Weems’ first solo exhibition in New York City since the historic retrospective at the Guggenheim in 2014. Her influential career continues to address the rifts caused by race, class, and gender via imagery and text that is both sharply direct and beautifully poetic. This two-part exhibition highlights her recent investigations into performance, entertainment, and history.
Blue Notes (2014) and An Essay on Equivalents, See… (2011-2015) highlight figures on the periphery, bringing them front and center. The photographic series are paired with the enigmatic video installation Lincoln, Lonnie, and Me (2012), originally commissioned by the Mattress Factory, Pittsburgh, PA. The work rests on a 19th century optical trick, “Pepper’s ghost,” in which a strategically lit pane of glass reflects people and objects as dematerialized versions on stage. Weems employs this phantasmagoria to examine her own relationship to history and two individuals in particular: the 16th president of the United States and artist/activist Lonnie Graham, her sometime collaborator. Here history becomes theater, a succession of ghostly projections that draw us in to the strange ways in which representation seduces and manipulates, and how some are left out of history altogether, their apparitions left to haunt the expanses of Western culture.
The theme of performance continues with Scenes & Take (2016). Weems dons her black-robed muse persona—recognizable from the now iconic Roaming and Museums series—to stand before empty stage sets, documenting these encounters with vivid color photographs. The contemplative pose of the artist raises issues of who gets to be shown on screen; what do the fictional characters in television, theater, cinema, and visual art say about the cultural climate in which they are created, and how do these representations shift across time?
All the Boys (2016) responds to the recent killings of young African American men and suggests a darker reality of identity construction. Portraits of black men in hooded sweatshirts are matched with text panels. The written descriptions evoke police reports, underscoring how a demographic is all-too-often targeted and presumed guilty by a system plagued with prejudice. […]”
(Shot of “Blue Note – Claudia Lennear” by Kandia Crazy Horse – Originally from an early 1970s Playboy feature on the Laurel Canyon singer-songwriter)
Claudia Lennear had famous affairs with Mick Jagger of the Rolling Stones, when she toured with them in 1969 as an Ikette (part of the Ike & Tina Turner Revue), & later with David Bowie during his LA burnout/Sigma Sound Soul phase in Philly – the resulting songs “Brown Sugar,” Claudia’s response “Not At All,” & Bowie’s “Lady Grinning Soul.” I am personally far more interested in her singing with my most beloved Master of Space & Time Leon Russell (as part of the Shelter People) & Claudia Lennear’s attempt to have a bluegrass trio in the early ’70s with her fellow Mad Dogs & Englishmen Tour veteran singers Donna Washburn (once a member of my most beloved/influence Dillard & Clark) & Donna Weiss (later a songwriter of some note; she had songs covered by, among others, another Mad Dogs star & my heroine/influence as a Native Americana artist, Rita Coolidge – I just recently filed an essay about Ms. Coolidge & this lore, which will be published next year in a tome on Women Of Country). A friend & Southern sonic forebear of mine, the late Memphis pianist/producer icon Jim Dickinson (aka James Luther Dickinson of “Dixie-Fried” & “White Horses”+ producing Big Star’s Third fame) promised to give me a photo of their bluegrass trio, as he was tied to the project, but then he walked on. Still hope to see the images someday! Of course, Claudia is active again, post- Twenty Feet From Stardom rediscovery, and leading two bands — one bluegrass — today in Los Angeles & recording an album David Bowie had sought her out to collaborate on before his passing. Looking forward to catching ’em live whenever I next make it to the Coast. I always do enjoy spending time in LA, amongst the newer Laurel Canyon & Topanga Canyon rock ‘n roll hippie glitterati — although most of them are East Side gentrifiers, particularly in Echo Park & Downtown (with satellites in Eagle Rock & Mt. Washington & out in the environs of Joshua Tree & Bolinas & Nevada City); this is why I always keep dear Odetta (who my late Virginian Native American mother Anne Marie wished for me to model & pick guitar in her image) & Claudia Lennear as my history-making twang foremamas & legendary Ladies of the Canyon.
I still plan to do a major project around the sound+vision of Claudia Lennear, Leon Russell, Rita Coolidge & their mutual benefactors, Delaney and Bonnie (& their fabulous Friends) during 2017 – Stay tuned!
(Two #BlackRockCoalition & #AfroPunk veteran chroniclers & rock-n-rollers outside Jack Shainman Gallery, Chelsea: #KandiaCrazyHorse #NativeAmericana #CosmicCountry #singersongwriter & #RobFields #BoldAsLove #blogger & festival founder – #FollowMe on #Instagram: @kandiacrazyhorse)
(LADY OF (HUDSON) CANYON: After Carrie’s opening, upon The Highline in Chelsea, by a fan – More NYC shows upcoming! #LadiesOfTheCanyon)
Here’s the first press for our #ProjectAmericana undertaking tonight in Manhattan at Symphony Space — from Harlem’s own Amsterdam News THE AMERICAN SLAVE COAST: LIVE in NYC
Enjoy your TGIF & see y’all out tonight! A’ho, #KandiaCrazyHorse
(Kandia Crazy Horse & DJ Soul Punk aka Teddy K in East Harlem with effigy of Frida Kahlo, #fbf)
Between rehearsals for #ProjectAmericana & getting to assorted meetings around NYC, this has been a busy, heady week. Amongst the events I am glad I was able to make time for: Indigenous Forum @ Columbia University. The best part of this was hearing from some of the Oceti Sakowin youth who ran from Cannonball, North Dakota to Washington DC to raise awareness about the Dakota Access Pipeline & related resistance, which I have been engaged in since the dawn of August. Their emotional pleas underscored why we need to keep up our prayers and support for the water protectors at Standing Rock.
(David Archambault II & Kandia Crazy Horse @ Columbia University, NYC)
It was also an honor to hear Standing Rock Sioux Tribe chairman Dave Archambault II speak, including about the long history of predations by the U.S. government & settlers on his Oyate’s sovereign territory and subsequent environmental threats to their lands; and then to get to speak to him briefly about my musical endeavors in Indian Country, as well as specifically on behalf of the water protectors of Standing Rock. Right now, we are watching the live feeds of leaders like LaDonna Allard & others, waiting to see what sadly is happening of the moment in North Dakota. Yet, I still have another musical benefit for Standing Rock in development (in NYC) & am committed to sing in support wherever, whenever may be called. A’ho*
#mniwiconi #NoDAPL #ProtectTheSacred #LoveWaterNotOil #RezpectOurWater #StandingInSolidarityWithStandingRock
A portrait of We Three – Bold Soul Sisters @ #ProjectAmericana rehearsal last night in Gramercy (Photo by Ned Sublette). We look forward to seeing you out at our performance — The American Slave Coast: Live – at Symphony Space in Manhattan this Friday night!
Thanks to my dear friends Ned Sublette & Constance Sublette, I will be performing later this month at an event related to their weighty tome about the domestic, Southeastern slave trade in America during the antebellum era: THE AMERICAN SLAVE COAST
Their book has won the 2016 American Book Award, and we are delighted to help illuminate the dark history about the networks of trading Virginia Africans into the Deep South, the roles of American Presidents Thomas Jefferson & Andrew Jackson aka “Sharp Knife” (known by we of Indian Country as a bane to Native Americans yet most are hardly aware of his ownership of enslaved Africans) in slave trading, and also bringing forth the narratives of the Africans brought to U.S. shores themselves — amongst my portion of performance, I shall be reading a “Letter From Virginia,” to represent ye olde home state.
This event of Project Americana will be at the Peter Jay Sharp Theatre of Symphony Space in Manhattan, 28 October @ 8pm. Right now, a limited amount of $10 tickets are available online: PROJECT AMERICANA – THE AMERICAN SLAVE COAST: LIVE
Hope to see y’all out! Here’s the gallery of outlaw artists who I will be performing with:
(Kandia Crazy Horse by Camara Dia Holloway)
(Nona Hendryx (of Labelle))
As filmed by Camara Dia Holloway, some footage from my Standing Rock water protectors benefit concert, the Sacred Water Medicine Show, is now viewable on this site; click the tab for MUSIC.
This song, “Cabin In The Pines,” which is based on a once-real jookhouse in Southwest Georgia but is my sonic & lyrical paean to Appalachia / Affrilachia, remains one of my most favorite songs I have written to date. If you have not gotten the Native Americana / Country / Americana album that features it yet, Stampede, it is still at my CD Baby store: STAMPEDE available here!
Playing herein @ Decolonize This Place / Artists Space in TriBeCa with my new band, Cactus Rose (minus Brother Evan on drums!) #mniwiconi #NoDAPL #ProtectTheSacred
So, I am off for a meeting with fellow Dakota Access Pipeline Resistance & Algonquin Pipeline folks of NYC to plan for our future actions, including more benefits for the water protectors of the Oceti Sakowin & many other nations. We just sent another bus off full of volunteers and many supplied donations to Standing Rock this past Sunday, so celebrating their road sojourn with them!
Here’s the latest press, from the Indigenous Peoples Day action I did last Monday, which mentions the Standing Rock benefit (Sacred Water Medicine Show) briefly: THE NATION
Enjoy your mid-week!
Sacred Water Medicine Show: My Standing Rock water protectors benefit concert in NYC #mniwiconi #NoDAPL
Good Friday, y’all! I am now getting feedback & documentation from the Standing Rock water protector camps benefit I conceived, curated & performed at last Saturday in Manhattan @ Decolonize This Place (Artists Space) in TriBeCa. Such was the response, I have been asked to undertake some more & when things develop, I will be sharing the word here & on my Instagram. Regardless, my personal commitment to praying for & helping support the Oceti Sakowin & other united nations assembled @ Standing Rock Reservation in North Dakota remains unabated; the setbacks to the trips I was slated on since August were unavoidable, yet I still plan to be of service there. And we of the Eastern nations are paying attention to the similar projects here in our own “backyard,” such as the Algonquin Pipeline, & doing actions locally.
My #IndigenousWeek in NYC concludes tomorrow with the re-opening of the Caribbean Cultural Center (CCCADI) in Harlem on 125th Street. More to come! A’ho*
“Water Is Life – Solidarity Concert” on Saturday, October 8th, 2016 (All photographs by Camara Dia Holloway)
(Kandia Crazy Horse giving the Introduction to the benefit concert @ Decolonize This Place in TriBeCa, by Camara Dia Holloway)
(Kandia Crazy Horse & Morgan O’Kane, singers/songwriters/purveyors of twang & Appalachian-rooted mountain music, from Virginia)
(With my lead guitar player/singer Jeff McLaughlin – Cactus Rose by Theodore Kuhnapfel)
(Bejike Luis Sanakori Ramos doing water ceremony & closing dance)
(My Tsalagi aunty Eagle Woman (our hostess & emcee) & the gang getting the shoutout on the welcome wall @ Decolonize This Place)
(Rehearsing for the Standing Rock benefit earlier last week in Midtown, with Alex & Lonnie)