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Somewhere between the bright lights of the honky-tonk and the dark end of the street, there is a music that has, against all odds, remained immune from the centuries of attempts to constrict and divide it. It’s a powerful gumbo, blending the sounds of the hemispheres together in a uniquely powerful New World remix. Gram Parsons called it “Cosmic American Music.” Jim Dickinson called it “World Boogie.” George Clinton still calls it “the uncut funk.” It’s the true vein, the main line, but it can only be tapped by those who are willing to explore the other sides of our past, present and future – Charles Hughes, author of “Country Soul: Making Music and Making Race in the American South”

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